Turn Coat
poor suckers in thrall to a White Court vampire were virtually slaves. Tangling with them in any sense of the word was a bad idea.
    Thomas shook his head. “I doubt it. Or Justine wouldn’t have chosen to meet us here.”
    Unless she’d been forced to do so, I thought to myself. I didn’t say anything. I like to stay cozy with my paranoia, not pass her around to my friends and family.
    “After you,” Thomas said, and then he calmly stripped his shirt off.
    I eyed him.
    “The club has an image they strive to maintain,” he said. He might have been just a little bit smug, the bastard. His abs look like they were added in with CGI. My abs just look like I can’t afford to feed myself very well.
    “Oh,” I said. “Do I need to take my shirt off, too?”
    “You’re wearing a black leather coat. That’s wardrobe enough.”
    “Small favors,” I muttered. Then I went through the door.
    We walked down a hallway that got darker, louder, and more illicitly aromatic as we went. It ended at a black curtain, and I pushed it aside to reveal a few more feet of hallway, a door, and two politely formidable-looking men in dark suits standing in front of it.
    One of them lifted a hand and told me, “I’m sorry, sir, but this is a private—”
    Thomas stepped up next to me and fixed the man with a steady grey gaze.
    He lowered his hand, and when he spoke, it sounded rough, as if his mouth had gone dry. “Excuse me, sir. I didn’t realize he was with you.”
    Thomas kept staring.
    The bouncer turned to the door, unlocked it with a key of its own, and opened the door. “Will you be in need of a table, sir? Drinks?”
    Thomas’s unblinking gaze finally shifted from the guard, as if the man had somehow vanished as a matter of any consequence. My brother walked by him without saying anything at all.
    The bouncer gave me a weak smile and said, “Sorry about that, sir. Enjoy your evening at Zero, sir.”
    “Thanks,” I said, and followed my brother into a scene that split the difference between a Dionysian bacchanal and a Fellini flick.
    There was no white light inside Zero. Most of it was red, punctuated in places with pools of blue and plenty of black lights scattered everywhere so that even where shadows were thickest, some colors jumped out in disquieting luminescence. Cigarette smoke hung in a pall over the large room, a distance-distorting haze under the black lights.
    We had entered on a kind of balcony that overlooked the dance floor below. Music pounded, the bass beat so loud that I could feel it in my lower stomach. Lights flashed and swayed in synchronicity. The floor was crowded with sweating, moving bodies dressed in a broad spectrum of clothing, from full leather coverings including a whole-head hood, at one extreme, to one girl clad in a few strips of electrical tape on the other. There was a bar down by the dance floor, and tables scattered around its outskirts under a thirty-foot-high ceiling. A few cages hung about eight feet over the dance floor, each containing a young man or woman in provocative clothing.
    Stairways and catwalks led up to about a dozen platforms that thrust out from the walls, where patrons could sit and overlook the scene below while gaining a measure of privacy for themselves. Most of the platforms were furnished with couches and chaise longues rather than tables and chairs. There were more exotic bits of furniture up on the platforms, as well: the giant X shape of a St. Andrew’s cross, which was currently supporting the bound form of a young man, his wrists and ankles secured to the cross, his face to the wood, his hair falling down over his naked back. Another platform had a shiny brass pole in its center, and a pair of girls danced around it, in the middle of a circle of men and women sprawled over the couches and lounges.
    Everywhere I looked, people were doing things that would have gotten them arrested anywhere else. Couples, threesomes, foursomes, and nineteensomes were fully

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