croaks, and his bony skull glows with a cold, electric fire.
Leaving the Dôme Marlowe explains between hiccups that he’s got to return to San Francisco. He seems genuinely touched now by Carl’s helplessness. He proposes that Carl and I take over the review during his absence. “I can trust you, Carl,” he says. And then suddenly he gets an attack, a real one this time. He almost collapses in the gutter. We haul him to a bistro at the Boulevard Edgar-Quinet and sit him down. This time he’s really got It—a blinding headache that makes him squeal and grunt and rock himself to and fro like a dumb brute that’s been struck by a sledge hammer. We spill a couple of Fernet-Brancas down his throat, lay him out on the bench and cover his eyes with his muffler. He lies there groaning. In a little while we hear him snoring.
“What about his proposition?” says Carl. “Should we take it up? He says he’ll give me a thousand francs when he comes back. I know he won’t, but what about it?” He looks at Marlowe sprawled out on the bench, lifts the muffer from his eyes, and puts it back again. Suddenly a mischievous grin lights up his face. “Listen, Joe,” he says, beckoning me to move closer, “we’ll take him up on it. We’ll take his lousy review over and we’ll fuck him good and proper.”
“What do you mean by that?”
“Why we’ll throw out all the other contributors and we’ll fill it with our own shit—that’s what!”
“Yeah, but what kind of shit?”
“Any kind … he won’t be able to do anything about it. We’ll fuck him good and proper. One good number and after that the magazine’ll be finished. Are you game, Joe?”
Grinning and chuckling we lift Marlowe to his feet and haul him to Carl’s room. When we turn on the lights there’s a woman in the bed waiting for Carl. “I forgot all about her,” says Carl. We turn the cunt loose and shove Marlowe into bed. In a minute or so there’s a knock at the door. It’s Van Norden. He’s all aflutter. Lost a plate of false teeth—at the Bal Nègre, he thinks. Anyway, we get to bed, the four of us. Marlowe stinks like a smoked fish.
In the morning Marlowe and Van Norden leave to search for the false teeth. Marlowe is blubbering. He imagines they are his teeth.
I t is my last dinner at the dramatist’s home. They have just rented a new piano, a concert grand. I meet Sylvester coming out of the florist’s with a rubber plant in his arms. He asks me if I would carry it for him while he goes for the cigars. One by one I’ve fucked myself out of all these free meals which I had planned so carefully. One by one the husbands turn against me, or the wives. As I walk along with the rubber plant in my arms I think of that night a few months back when the idea first occurred to me. I was sitting on a bench near the Coupole, fingering the wedding ring which I had tried to pawn off on a garçon at the Dôme. He had offered me six francs for it and I was in a rage about it. But the belly was getting the upper hand. Ever since I left Mona I had worn the ring on my pinkie. It was so much a part of me that it had never occurred to me to sell it. It was one of those orange-blossom affairs in white gold. Worth a dollar and a half once, maybe more. For three years we went along without a wedding ring and then one day when I was going to the pier to meet Mona I happened to pass a jewelry window on Maiden Lane and the whole window was stuffed with wedding rings. When I got to the pier Mona was not to be seen. I waited for the last passenger to descend the gangplank, but no Mona. Finally I asked to be shown the passenger list. Her name was not on it. I slipped the wedding ring on my pinkie and there it stayed. Once I left it in a public bath, but then I got it back again. One of the orange blossoms had fallen off. Anyway, I was sitting there on the bench with my head down, twiddling the ring, when suddenly someone clapped me on the back. To make it brief, I
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