Tribesmen of Gor

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Authors: John Norman
Tags: Fiction, General, Science-Fiction, adventure, Fantasy, Thrillers
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to look at me; I saw her eyes, dark, through the tiny opening in the haik, through the tiny, black-lace screen, about an inch in height and four inches in width. Then, with a rustle of the chain, and the tiny music of her bells, she turned swiftly, following her master. Beneath the haik, I supposed her collared, naked. The use of a light walking chain, tethering the ankles, meant to be worn abroad, accompanying the master, incidentally, is not uncommon in the regions of the Tahari. A beautifully measured gait is thought, in the Tahari, to be attractive in a woman. There is dispute as to the desirable length of the stride, and the chain may be adjusted accordingly. To me it seems obvious that one must experiment with the given girl. Height and hip structure vary. I resolved to obtain such a set of chains for Miss Blake-Allen. I was curious to see what measure of stride would best suit the slave in her. Free women, in the Tahari, incidentally, usually, when out of their houses, also measure their stride. Some fasten their own ankles together with silken thongs. Some dare even the chain, though they retain its key. Free girls, not yet companions, but of an age appropriate for the companionship, sometimes signal their availability to possible swains by belling their left ankles with a single "virgin bell." The note of this bell, which is bright and clear, is easily distinguished from those of the degrading, sensual bells of the slave. Sometimes free girls, two or more of them, as a girlish lark, obtain slave bells and, chaining their ankles, dress themselves in their haiks and go about the city. Sometimes their girlish amusement does not turn out as they expect. Sometimes they find themselves being sold in markets at obscure eases.
          There was a great shouting, and, passing through the market gate, I had turned into the nest of market streets.
           I brushed away two sellers of apricots and spices. "Come with me to the cafe of Red Cages," said a boy, pulling at my sleeve. They receive a copper tarsk for each patron they bring through the arched portal of the cafe. I gave the boy a copper tarsk, and he sped from me.
          I made my way carefully through the crowds.
           The vendors come early to the market, leaving their villages outside of Tor in the morning darkness, that they may find a yard of pavement, preferably near the market gate, to display their wares. I was jostled to one side by two men in djellabas. My ankle stung. I had nearly stepped into a basket of plums. Not even looking up, a woman had cried out, and, with a stick lashed out, protecting her merchandise. "Buy melons!" called a fellow next to her, lifting one of the yellowish, red-striped spheres toward me. A boy passed, spitting out the seeds of a tospit. The thought of Kamchak, of the Tuchuks, passed through my mind. I smiled. Only the rare, long- with melted cheese and nutmeg; hot Bazi tea, sugared, and, later, Turian wine. I did not forget the slave, of course. Crusts of bread did I throw to the boards before her. It was slave bread, rough and coarse-grained. The beauty ate it eagerly. She had not known if she was to be fed that day. Sometimes the slave is not fed. This might occur for aesthetic reasons, as, for example, if her measurements, which are generally carefully kept, should minutely depart from her master's conception of her ideal curvatures; sometimes merely to remind her of on whom she depends, totally, for her very life; sometimes as a training or disciplinary measure; sometimes merely to startle or puzzle her; what has she done; she is not told; has she not been sufficiently pleasing; she is not told; the girl, frightened, anxious, redoubles her efforts to please in all the thousand spheres of her slavery, intellectual, physical and imaginative; no master, it is said, who has not denied his girl food knows her; pleasant indeed are the surprises which such a fellow, who thought thitherto he knew his girl, upon the

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