it all, the whole thing, the trousers, everything, and
I flung
at him â âAnd what did you do in the Great War?â âI wrote
Ulysses
,â he said. âWhat did you do?â
Bloody nerve.
( BLACKOUT .)
ACT TWO
THE LIBRARY
Apart from the bookcases, etc. the Libraryâs furniture includes
CECILY âs
desk, which is perhaps more like a counter forming three sides of a square
.
CECILY : To resume.
The war caught Lenin and his wife in Galicia, in Austro-Hungary. After a brief internment they got into Switzerland and settled in Berne. In 1916, needing a better library than the one in Berne, Lenin came to Zurich â¦
(
The Library set is now lit
.)
⦠intending to stay two weeks. But he and Nadezhda liked it here and decided to stay. They rented a room in the house of a shoe-maker named Kammerer at 14 Spiegelgasse. Zurich during the war was a magnet for refugees, exiles, spies, anarchists, artists and radicals of all kinds. Here could be seen James Joyce, reshaping the novel into the permanent form of his own monument, the book the world now knows as
Ulysses!
â and here, too, the Dadaists were performing nightly at the Cabaret Voltaire in the Meierei Bar at Number One Spiegelgasse, led by a dark, boyish and obscure Romanian poetâ¦
( JOYCE
is seen passing among the bookshelves; and also
CARR ,
now monocled and wearing blazer, cream flannels, boater⦠and holding a large pair of scissors which he snips speculatively as he passes between the bookcases
. JOYCE
and
CARR
pass out of view
.)
Every morning at nine oâclock when the library opened, Lenin would arrive.
( LENIN
arrives, saying âGood morningâ in Russian: âZdrasvuitiyeâ
.)
He would work till the lunch hour, when the library closed, and then return and work until six, except on Thursdays when we remained closed. He was working on his book on Imperialism.
( LENIN
is at work among books and papers
.)
On January 22nd, 1917, at the Zurich Peopleâs House Lenin told an audience of young people, âWe of the older generation may not live to see the decisive battles of the coming revolution.â We all believed that that was so. But one day hardly more than a month later, a Polish comrade, Bronsky, ran into the Ulyanov house with the news that there was a revolution in Russia â¦
( NADYA
enters as in the Prologue, and she and
LENIN
repeat the Russian conversation previously enacted. This time
CECILY
translates it for the audience, pedantically repeating each speech in English, even the simple âNo!â and âYes!â The
LENINS
leave
.
NADYA
says âDas vedanyaâ to
CECILY (
i.e. âGoodbyeâ) as she goes
.)
As Nadezhda writes in her
Memories of Lenin
, âFrom the moment the news of the February revolution came, Ilyich burned with eagerness to go to Russia.â But this was easier said than done, in this landlocked country. Russia was at war with Germany. And Lenin was no friend of the Allied countries. His war policy made him a positive danger to them;
( CARR
enters, very debonair in his boater and blazer, etc
. CARR
has come to the library as a âspyâ, and his manner betrays this until
CECILY
addresses him
.)
indeed it was clear that the British and the French would wish to prevent Lenin from leaving Switzerland. And that they would have him watched. Oh!
( CECILY
sees
CARR
who hands her the visiting card he received from
BENNETT
in Act One
.)
CECILY : Tristan Tzara. Dada, Dada, Dada â¦
Why, itâs Jackâs younger brother!!
CARR : You must be Cecily!
CECILY : Ssssh!
CARR : You are!
CECILY : And you, I see from your calling card, are Jackâs decadent nihilist younger brother.
CARR : Oh, Iâm not really a decadent nihilist at all, Cecily. You mustnât think that I am a decadent nihilist.
CECILY : If you are not then you have certainly been deceiving us all in a very inexcusable manner. To
masquerade
as a decadent
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