of the cubicles. He was carrying a thin yellow file folder. After a moment or two he called out an order and I was sent in to him.
The cubicle contained a small table and a chair and a covered bucket. In one corner there was a washbasin, and on the wall a white metal cabinet. The white-coated man was at the table preparing an inking plate of the kind used for fingerprinting. He glanced up at me and said in French: “Take your clothes off.”
People who run jails are all the same. When I was naked, he searched the inside of the clothes and the shoes. Next he looked in my mouth and ears with a flashlight. Then he took a rubber glove and a jar of petroleum jelly from the wall cabinet and searched my rectum. I have always deeply resented that indignity. Finally he took my fingerprints. He was very businesslike about it all; he even gave me a piece of toilet paper to wipe the ink off my hands before he told me to dress and go into the next cubicle. In there, was a camera, set up with photofloods and a fixed focus bar. When I had been photographed, I was taken along some corridors to a green wooden door with the word ISTIFHAM lettered on it in white paint. Istifham is a Turkish word I know; it means “interrogation”.
There was only one small screened and barred window in the room; the sun was beginning to set and it was already quite dark in there. As I went in, one of the guards followed me and switched on the light. His friend shut and locked the door from the outside. The guard who was to stay with me sat down on a bench against the wall and yawned noisily.
The room was about eighteen feet square. Off one corner there was a washroom with no door on it. Apart from the bench, the furniture consisted of a solid looking table bolted to the floor and half a dozen chairs. On the wall was a telephone and a framed lithograph of Kemal Atatürk. The floor was covered with worn brown linoleum.
I got out my cigarettes and offered one to the guard. He shook his head and looked contemptuous, as if I had offered him an inadequate bribe. I shrugged and, putting the cigarette in my own mouth, made signs that I wanted a light. He shook his head again. I put the cigarette away and sat down at the table. I had to assume that at any moment now a representative of the Second Section would arrive and start questioning me. What I needed, very badly, was something to tell him.
It is always the same with interrogation. I remember my father trying to explain it to Mum one night, just before he was killed. It’s no good for a soldier who is up on a charge before his C.O. just telling the truth; he has to have something more, something fancy to go with it. If he got back to barracks half an hour after lights-out just because he’d had too much beer and missed the last bus, who cares about him? He’s simply a careless bloody fool - seven days confined to barracks, next case. But if, when he’s asked if he has anything to say, he can tell the tale so that the C.O. gets a bit of fun out of hearing it, things are different. He may be only admonished. My father said that there was a corporal in his old regiment who was so good at making up yarns for the orderly room that he used to sell them for half-a-crown apiece. They were known as “ well-sirs .” My father bought a well-sir once when he was “ crimed ” for overstaying an evening pass. It went like this: Well, sir, I was proceeding back along Cantonment Road towards the barracks in good time for lights-out and in a soldierly manner. Then, sir, just as I was passing the shopping arcade by Ordnance Avenue, I heard a woman scream. Pause. Well, sir, I stopped to listen and heard her scream again. There were also some confused cries. The sound was coming from one of the shops in the arcade, so I went to investigate. Pause again, then go on slowly. Well, sir, what I found was one of these Wogs - beg pardon, sir, a native - molesting a white woman in a doorway. I could see she was a lady, sir. Let
A. L. Jackson
Peggy A. Edelheit
Mordecai Richler
Olivia Ryan
Rachel Hawkins
Kate Kaynak
Jess Bentley, Natasha Wessex
Linda Goodnight
Rachel Vail
Tara Brown