consistency to his character; he’s an ex-teengang member, big and strong when the plot requires it, but most of the time he acts like a timid chump; he is a professional empath, and yet he gets suckered into buying the metaphysics of a sociopath gang leader with nary a quiver. And the fmal group of villains to be dragged onstage, comic-opera Com-Yew-Nists Who Want To Make
*1980 update; to give you an idea how well my memory serves me, the shortest version, a novella, won the Nebula in 1971.
The World A Conformist Utopia So They Can Power Trip Us (but get this: they’re telepathic, see…) went down like two tablespoons of peanut butter.
Which leaves me astounded. For years I have watched Kate MacLean write circles around a large lot of folks, and upon receiving the first novel I’ve seen by her I rejoiced, expecting something above average. But this is barely adequate. The first chapter, in which we meet George, the high-sensitivity empath who works as a locator for the Rescue Squad, is really excellent-but the book as a whole lacks an internal consistency somehow, and suspending that disbelief starts to give you cramps. I’m disappointed. I don’t object to a simple series-of-episodes-but the cast should be continuous.
Getting near the bottom, now. Funny SF novels, when they work, are among the funniest things ever written: e.g., Niven & Gerrold’s The Flying Sorcerer, a sizable chunk of Keith Laumer’s work, and the new Bester novel. Some are a trifle strained,but still make you giggle consistently: e.g. Bob Toomey’s World of Trouble. And some are as strained as the stuff that goes in I.V. bottles: e.g., The Wilk Are Among Us, by Isidore Haiblum(Doubleday, $5.95).
Since Stan Schmidt’s book had turned out so well, I decided to try the one that came with it; but when I got to the part where the ferocious and homidical nil! says to the alien protagonist, “If I wasn’t a bit under the weather, and you didn’t have that crude mind-block on-really, under ordinary conditions it wouldn’t do at all, you know-I’d give you such a hit!” I began to suspect that the stack of handkerchiefs I’d laid in against tears of laughter might be superfluous:
Everybody in the book is named Leonard or Ernest or Marviii, extraterrestrials who’ve never heard of Earth call each other boychik, and at odd intervals Haiblum succumbs to Zelazny’s Syndrome: the habit of stringing together sentence fragments.
As paragraphs.
In groups of six of seven.
For no discernible reason.
Like a freshman art student.
Making a collage.
Or some.
Thing.
Followed by two skipped lines and a block of more or less standard copy. There’s a lot of action, a cast of thousands, and a plot that would confound a panel consisting of Ketib Laumer, P.O. Wodehouse and Avram Davidson, and if you use an Ashley wood-burning stove and don’t subscribe to a newspaper you’ll be interested to know that the hardcover edition fits snugly into the firebox and will support a good base of kindling and mixed hardwood. I recommend maple if you can get it.
And so at last we come to Sprague de Camp’s Antique Shoppe.
I know there are a horde of you Lovecraft freaks out there, and maybe some of you are Trekkie-type groupies, and I really truly do believe that a reviewer has a duty to finish a book before publishing his views on it, but honest to Christ, fellas. The Life of H.P. Lovecraft by L. Sprague de Camp (Doubleday, $12.95) is simply above and beyond the call of whatever Baen is underpaying me. [Sold! he shrieked.-Ed.] it is no bigger than a Smith-Corona portable, clearly the result of a literally incredible amount of time and energy, and I tried, cross my heart. But do any of you really want to know that at the age of two, Lovecraft’s golden curls led his landlady to call him “Little Sunshine”?
I have in my possession a volume of comparable size, which was commissioned by state legislature, printed at taxpayers’ expense in
Melissa Giorgio
Max McCoy
Lewis Buzbee
Avery Flynn
Heather Rainier
Laura Scott
Vivian Wood, Amelie Hunt
Morag Joss
Peter Watson
Kathryn Fox