the beer garden next to the car park of The Masons Arms, Jace was about to hit Steph. There were no kiddies around to see him, it being half past six on a Wednesday night in January; there was nobody to see him at all, a fact that Jace knew perfectly well, and that was worrying Steph. She had miscalculated again. It would have been smarter to head straight for the car and wait while the sight of it calmed Jace down; he loved his stupid Renault 5 Turbo with the stupid alloy wheels and the stupid paint job, and once he was driving along with the sound system thumping he wouldnât hit her. But instead she had run off across the car park and ended up here. The trouble was that when she was pregnant her mind didnât work that way, thinking things out in advanceâshe just did things, or just came out with them. It was no good trying to tell Jace that, though. He wouldnât know a hormone if it jumped up and bit him on the leg. He was so mad with her for âshowing him upâ he had started shouting even before they got outside. He was still shouting at her. Now it appeared he was angry with her not just for âshowing him upâ, but also for getting him angry. He was definitely working up to something, and since it was she who had made him angry, it would be her fault if he did give her a slap. Steph calculated that it would probably be just the one. But it would be a further miscalculation, she remembered in time, to try to stop him by saying he shouldnât hit a pregnant woman, because reminding him about the baby was never a good idea. It was the baby that had made Jace inclined to hit her in the first place. It was the babyâs first kick that ten minutes ago had caused Steph to clutch her belly and squeal out in the public bar
Oh! Oh bloody hell Jace I just felt it! It just kicked me!
And if it hadnât been for the barmaid getting sentimental about the time she had
her
first, and three complete strangers laughing and going on about it, asking when it was due, Steph thought Jace might have let it pass with a grunt. But he had blushed with fury and embarrassment, picked up his car keys and told her to get outside.
She was standing next to a plump, lavishly graffitied, moulded resin elephant whose hollow insides were filled with cans and empty crisp packets that someone at some time had tried to start a fire with. She looked away, and with her head lowered she scraped with one fingernail at some peeling grey paint on one of the elephantâs ears, finding that she was managing to turn the growing bare patch into a very good likeness of Marge Simpson. She could draw a pretty good Marge Simpson, and an excellent Homer. She had thought at one time of being a cartoonist, until her art teacher had told her cartoonists have to create original characters and not just copy things. She had actually come up with one or two quite good characters of her own, but then found that they refused to cooperate. They just looked at her from the paper. She had not been able to make them say or do anything.
Are you listening to me, you two-ton cow?
As she looked up, Jaceâs hand cracked off the side of her head, which hit the grey elephant wall like a sounding gong. It was such a weird noise, so unexpectedly deep and grand that Steph, leaning against the vibrating elephantâs side as the sound died and the singing in her ears became an echo, wondered about laughing. Instead she lowered her head once more and made her way over to the car, where she waited at the passenger side while Jace unlocked the doors with a single, bad-tempered click of his keys in mid-air. Steph understood that he intended only to unlock the driverâs door for himself. She understood that it was nothing to him if the click happened to unlock the other doors at the same time because (and it made no difference to him) she could get in or stay out; she could spend the whole night inside the kiddiesâ elephant with the fag ends
Patricia Hagan
Rebecca Tope
K. L. Denman
Michelle Birbeck
Kaira Rouda
Annette Gordon-Reed
Patricia Sprinkle
Jess Foley
Kevin J. Anderson
Tim Adler