She had two sisters and a brother. Another brother had been killed in the war.
That led him to tell her, with no reticence at all, about Lindsay. 'He was seven years older than I. He was going to have a wonderful career--everybody was sure of that--he'd already taken a brilliant degree. He was good at everything--games as well. He could ride beautifully--some of those big fellows that I was always scared of--'
'Where do you live?' she interrupted.
'In the country. Cheltenham's the nearest town.'
'What's your dad?' she then asked.
The question closed and barred the door that Lindsay had opened wide, for the thought of his father made Charles suddenly cautious. To discuss his family and Beeching might set a distance between them, and he could not take such a risk at this early stage of their relationship (for he knew already there must be later stages). He said guardedly: 'You mean his job? He doesn't actually have one, except . . .' And then he floundered because the words seemed ill-chosen--would she think he was telling her that his father was out of work? He went on, trying to correct the wrong impression, if any, without conveying the right one: 'We have a bit of land and he looks after it most of the time.'
'Oh, I think it's wonderful he sent you to college. My dad let Bert stay on at the grammar school till he was sixteen.'
So she HAD misunderstood? Charles couldn't be sure. Anyhow, it was as if she were pridefully seeking to match either her own father's financial sacrifices or his devotion to learning with anyone else's in the world, and this drew his hand across the table to hers in a warmth that made their first physical contact something to remember like all the other first things. He saw the colour spring to her cheeks, and she glanced at the clock while his hand was still on hers. 'Oh dear, I must run--Mr. Graybar will make such a fuss. It's our busy day with the Japanese mail going out.'
'Japanese mail?'
'Yes, we do a lot of business with Japan. AND China.'
'Are your hours long?'
'Nine till six.'
'Hard work?'
'Not so bad. It comes in rushes. That's why I'm so late today. I have to go, really. It's been awfully nice talking to you.'
'You say you always come here to lunch?'
'Well, sometimes I go to the A.B.C. in Holborn. But mostly here. It's nearer.' She picked up the bill.
'No, no, let ME . . .'
'Oh, I couldn't . . . no, really . . .'
The bill was only a few pence, and he thought it too unimportant to argue about, the more so as he didn't know whether she had protested conventionally or because he had said his father had no job. So he said, testing the matter from another angle: 'All right, THIS time--but I must see you again. Will you have lunch with me next week--one day?'
'I'll be here, yes. Every day.'
He followed her to the cash desk, paying his own bill. He still stayed with her when they reached the street. A clock outside was either five minutes fast or else the one in the teashop had been slow. She noticed it with alarm. 'Oh, look, I'm terribly late.'
So they scampered together, half running and half walking, along a zigzag of side streets to Kingsway, making plans meanwhile. When they reached the office doorway another clock, confirming the one in the teashop, seemed to give them a moment miraculously their own. He said: 'You won't be late--not now--and why don't I meet you HERE next week, instead of at the Lyons? We don't really have to go there at all, do we?'
'All right.'
'Here, then, next Wednesday, at one?'
'Yes.' She gave him a bright breathless smile. 'And I'll try not to be late, Charlie, but if I am, you'll know it's Mr. Graybar.'
She ran inside and he stood on the pavement, watching the swinging doors till they were still. She had called him Charlie, so promptly and easily, and no one else ever had--neither family nor friends. At Brookfield most boys used last names, except intimates, and those had called him 'Andy'--a nickname that had then been transplanted to his
Amy Redwood
Keith Mansfield
Matthew Kneale
Roxy Callahan
Cindy Spencer Pape
Mary Carter
Niecey Roy
Anthony Franze
Julie Garwood
Liza Klaussmann