Timbuktu

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Authors: Paul Auster
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across the behind of a young chick as she strides by you on the street. Need I say more? You’d have to be dead not to warm to that. It darts and dives at you, keeps churning away in your head until it all melts down into a big, buttery ooze. Vasco da Gama in his puffy pantaloons. FDR’s cigarette holder. Voltaire’s powdery wig. Cunegonde!
    Cunegonde! Think of what happens when you say it. See what you say when you think it. Cartography. Pornography. Stenography. Stentorian stammerings, Episcopalian floozies, Fudgsicles and Frosted Flakes. I admit that I’ve succumbed to the charms of these things as readily as the next man, am in no wise superior to the riffraff I’ve rubbed shoulders with for lo these many years. I’m human, aren’t I? If that makes me a hypocrite, then so be it.
    “Sometimes, you just have to bow down in awe. A person comes up with an idea that no one has ever thought of, an idea so simple and perfect that you wonder how the world ever managed to survive without it. The suitcase with wheels, for example. How could it have taken us so long? For thirty thousand years, we’ve been lugging our burdens around with us, sweating and straining as we moved from one place to another, and the only thing that’s ever come of it is sore muscles, bad backs, exhaustion. I mean, it’s not as though we didn’t have the wheel, is it? That’s what gets me. Why did we have to wait until the end of the twentieth century for this gizmo to see the light of day? If nothing else, you’d think roller skates would have inspired someone to make the connection, to put two and two together. But no. Fifty years go by, seventy-five years go by, and people are still schlepping their bags through airports and train stations every time they leave home to visit Aunt Rita in Poughkeepsie. I’m telling you, friend, things aren’t as simple as they look. The human spirit is a dull instrument, and often we’re no better at figuring out how to take care of ourselves than the lowest worm in the ground.
    “Whatever else I’ve been, I’ve never let myself be that worm. I’ve jumped, I’ve galloped, I’ve soared, and no matter how many times I’ve crashed back to earth, I’ve always picked myself up and tried again. Even now, as the darkness closes in on me, my mind holds fast and won’t throw in the towel. The transparent toaster, comrade. It came to me in a vision two or three nights ago, and my head’s been full of the idea ever since. Why not expose the works, I said to myself, be able to watch the bread turn from white to golden brown, to see the metamorphosis with your own eyes? What good does it do to lock up the bread and hide it behind that ugly stainless steel? I’m talking about clear glass, with the orange coils glowing within. It would be a thing of beauty, a work of art in every kitchen, a luminous sculpture to contemplate even as we go about the humble task of preparing breakfast and fortifying ourselves for the day ahead. Clear, heat-resistant glass. We could tint it blue, tint it green, tint it any color we like, and then, with the orange radiating from within, imagine the combinations, just think of the visual wonders that would be possible. Making toast would be turned into a religious act, an emanation of otherworldliness, a form of prayer. Jesus god. How I wish I had the strength to work on it now, to sit down and draw up some plans, to perfect the thing and see where we got with it. That’s all I’ve ever dreamed of, Mr. Bones. To make the world a better place. To bring some beauty to the drab, humdrum corners of the soul. You can do it with a toaster, you can do it with a poem, you can do it by reaching out your hand to a stranger. It doesn’t matter what form it takes. To leave the world a little better than you found it. That’s the best a man can ever do.
    “Okay, snicker if you like. If I gush, I gush, and that’s all there is to it. It feels good to let the purple stuff come pouring out

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