which he stroked every other minute.
âYouâll catch cold like that, young lady.â
Margot made no reply.
âWhere are you staying in Ilhéos?â the other asked. âAt Machadãoâs place?â
âWhat business is it of yours?â
âDonât be stuck up, miss. Itâs off folks like us that youâre going to make a living, ainât that right? Look, my friend Moura here can fix you up in fine style.â
The short man tugged at his moustache. âAnd Iâll come around, too, my dear. All you have to do is say the word.â
They saw Juca Badaró approaching.
âExcuse me.â
âGood evening, Juca.â And the two of them slipped away.
Juca nodded, then turned to Margot.
âItâs time you were asleep, young lady. Itâs better to sleep than to stand here gabbling with everyone who comes along.â He gazed resentfully at the backs of the retreating pair, but Margot stared straight at Juca.
âWho gave you the right to meddle in my life?â
âBetter look sharp, young lady. Iâm going below to see how my wifeâs getting along in the cabin; but Iâll be back, and if I find you here, thereâs going to be a rumpus. A woman of mine does what I say.â And with this he left.
âA woman of mineââ Margot repeated to herself contemptuously. Then, taking her time about it, she went down to her stateroom. As she passed, she heard the short man with the moustache saying:
âThat fellow Juca Badaró has a good lesson coming to him.â
Of a sudden she felt as if she were Jucaâs woman.
âThen why donât you teach it to him?â she asked.
12
A deepening silence lay upon the ship as it ploughed through the night sea. The harmonicas and guitars in third-class had stopped playing, and no voice sang the sad, sad songs of love and longing. Margot had gone to her cabin, and no musing passenger leaned on the shipâs rail. The words of the poker-players were lost before they reached the sea. Suffused in the red and ominous light of the moon, the boat ploughed on, blanketed now in silence. The night aboard ship was filled with sleepâwith sleep and dreams and the hopes of men.
The captain came down from the bridge, accompanied by the first mate. Together they made their way through the cluster of first-class passengers, asleep beneath their blankets. Now and then one of the figures would mutter a word; he was dreaming of cacao plantations laden with fruit. The skipper and the first mate descended the narrow stairs to third-class, where men and women lay huddled against one another for warmth. The skipper was silent. The second officer whistled a popular tune. Antonio Victor had a beatific smile on his lips, as he dreamed of an easy fortune won in the land of Ilhéos and of his return to Estancia in quest of Ivone.
The captain halted and looked at the sleeping mulatto.
âYou see?â he said, turning to the mate. âHe wonât smile so much when he gets down there in the woods.â And with his foot he pushed Antonio Victorâs head. âI feel sorry for them.â
They came up to the rail in the stern of the ship. The waves were tossing high and the moon was red. They were silent as the second officer lighted his pipe. It was the skipper who spoke at last.
âYou know,â he said, âthere are times when I feel like the captain of one of those slavers in the old days.â As the mate did not reply, he went on to explain. âOne of those ships that brought blacks over to sell them as slaves.â He pointed to the sleeping figures, to Antonio Victor, who was smiling still. âWhat difference is there?â
The first mate shrugged his shoulders, gave a puff on his pipe, but said nothing. He was gazing out over the sea, the immensity of the night, and the heaven of stars.
II
THE FOREST
1
The forest lay sleeping its never interrupted
Rachell Nichole
Ken Follett
Trista Cade
Christopher David Petersen
Peter Watts, Greg Egan, Ken Liu, Robert Reed, Elizabeth Bear, Madeline Ashby, E. Lily Yu
Fast (and) Loose (v2.1)
Maya Stirling
John Farris
Joan Smith
Neil Plakcy