her story?”
When none of the adults replied, Bashi turned back to Nini. “They are executing someone today. A woman. Think about it. One can't commit a crime and think one can run away without punishment.” Then, in a lower voice, he added, “Say, do you want to come and chat with me?”
“Where?”
“Come with me. I can show you my house now.”
Nini shook her head. It was getting late, and her mother would be cursing her and her bad leg for being slow. “I need to go home,” she said.
“Will you be free after breakfast? I'll wait for you upriver, by the old willow tree. You know that place?”
The willow was an old, gnarled tree with a full head of branches, like a madwoman. It was quite a walk from Nini's home, past half the town, past the birch woods on the riverbank, until one could see not the low row houses but the high chimneys of the generation plant. Nini had been there before Little Sixth's birth; she had not been charged with most of the chores then, and in the spring, sometimes she had been sent to dig new dandelions and shepherd's purses. Through the spring and early summer, her family ate the edible grass, boiled in water and salted heavily; they ate it long past the season, until their mouths were filled with bitter, hard fibers. The memory made Nini's mouth full of the grassy taste.
“How about it?” Bashi said. He looked at her as if her face were any other girl's face, her mouth not skewed to the left, her eyes not drooping in the same direction. Her left hand and left foot were bad too, but he seemed not to have noticed them either. “Are you coming?”
Nini nodded.
“Great,” Bashi said. He took a biscuit out of the tin in Nini's hand and popped it into his mouth before he walked away.
TEACHER GU STARTED the fire and poured water on the leftover rice. He watched the yellow flame lick the bottom of the pot, the murmuring of the water inside soothingly hypnotic. A grain of sand is as complete as a world, he said to the fire, his voice audible only to his own ears. The thought that someone sitting above the clouds could gaze into this small cocoon in which he and his wife were trapped in pain comforted him; their suffering to the eyes above could be as tiny and irrelevant as the piece of coal in his own eyes, a burning ember that would soon cool into a gray ball of ash.
The water boiled, and the lid of the pot let out sighs of white steam. Teacher Gu stirred the rice and sat down at the table. There was no sound from the bedroom, and he wondered if his wife had been falling into sleep; she had been escorted back by two policemen earlier, and they had made some harsh threats before taking off her handcuffs. He had worried that she would become hysterical, but she had kept herself still until the moment Nini arrived, the last person in the world who should be receiving his wife's anger.
Teacher Gu's hands probed around on the table as if they belonged to a blind man. Over the years he had developed a habit of busying his hands with anything they could reach, a sign of some disturbing psychological problem perhaps, but Teacher Gu tried not to dwell on it. Apart from a bowl of leftover soup, the table was empty. Another broken ritual, Teacher Gu thought, gone with Nini and the folding of a paper frog out of the calendar. It had started when Shan was fourteen, a young Red Guard ready to rip the world apart. He had folded paper compulsively, his busy fingers saving him from the sorrow of watching his daughter transform before his own eyes into a coldhearted stranger. At breakfast on an early summer day when Shan had given a speech on how he should bow to the revolutionary youths instead of resisting with his silence, he made the paper frog jump and it landed in his wife's unfinished porridge. Neither Mrs. Gu nor Teacher Gu removed the frog, and he knew then that they would never laugh together as a family again. On the same morning, when Shan's young revolutionary friends came over, she
When none of the adults replied, Bashi turned back to Nini. “They are executing someone today. A woman. Think about it. One can't commit a crime and think one can run away without punishment.” Then, in a lower voice, he added, “Say, do you want to come and chat with me?”
“Where?”
“Come with me. I can show you my house now.”
Nini shook her head. It was getting late, and her mother would be cursing her and her bad leg for being slow. “I need to go home,” she said.
“Will you be free after breakfast? I'll wait for you upriver, by the old willow tree. You know that place?”
The willow was an old, gnarled tree with a full head of branches, like a madwoman. It was quite a walk from Nini's home, past half the town, past the birch woods on the riverbank, until one could see not the low row houses but the high chimneys of the generation plant. Nini had been there before Little Sixth's birth; she had not been charged with most of the chores then, and in the spring, sometimes she had been sent to dig new dandelions and shepherd's purses. Through the spring and early summer, her family ate the edible grass, boiled in water and salted heavily; they ate it long past the season, until their mouths were filled with bitter, hard fibers. The memory made Nini's mouth full of the grassy taste.
“How about it?” Bashi said. He looked at her as if her face were any other girl's face, her mouth not skewed to the left, her eyes not drooping in the same direction. Her left hand and left foot were bad too, but he seemed not to have noticed them either. “Are you coming?”
Nini nodded.
“Great,” Bashi said. He took a biscuit out of the tin in Nini's hand and popped it into his mouth before he walked away.
TEACHER GU STARTED the fire and poured water on the leftover rice. He watched the yellow flame lick the bottom of the pot, the murmuring of the water inside soothingly hypnotic. A grain of sand is as complete as a world, he said to the fire, his voice audible only to his own ears. The thought that someone sitting above the clouds could gaze into this small cocoon in which he and his wife were trapped in pain comforted him; their suffering to the eyes above could be as tiny and irrelevant as the piece of coal in his own eyes, a burning ember that would soon cool into a gray ball of ash.
The water boiled, and the lid of the pot let out sighs of white steam. Teacher Gu stirred the rice and sat down at the table. There was no sound from the bedroom, and he wondered if his wife had been falling into sleep; she had been escorted back by two policemen earlier, and they had made some harsh threats before taking off her handcuffs. He had worried that she would become hysterical, but she had kept herself still until the moment Nini arrived, the last person in the world who should be receiving his wife's anger.
Teacher Gu's hands probed around on the table as if they belonged to a blind man. Over the years he had developed a habit of busying his hands with anything they could reach, a sign of some disturbing psychological problem perhaps, but Teacher Gu tried not to dwell on it. Apart from a bowl of leftover soup, the table was empty. Another broken ritual, Teacher Gu thought, gone with Nini and the folding of a paper frog out of the calendar. It had started when Shan was fourteen, a young Red Guard ready to rip the world apart. He had folded paper compulsively, his busy fingers saving him from the sorrow of watching his daughter transform before his own eyes into a coldhearted stranger. At breakfast on an early summer day when Shan had given a speech on how he should bow to the revolutionary youths instead of resisting with his silence, he made the paper frog jump and it landed in his wife's unfinished porridge. Neither Mrs. Gu nor Teacher Gu removed the frog, and he knew then that they would never laugh together as a family again. On the same morning, when Shan's young revolutionary friends came over, she
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