down the long living room, calling, "Mr. Grandison!”
Tyl waited where she was for Grandy. She saw him coming—the arrogantly held gray head, the beak of a nose, the lively eyes behind the pince-nez, the unimpressive body with the fat little bulge of a tummy, the thin legs, the biggish, awkward feet.
She began to laugh and cry. He was purring. His beautiful voice that seemed not to need any breath came pouring out in endearments. Through her own tears, she could see in his black eyes the eternal spectator, who viewed with such lively interest and delight this dramatic and emotional moment in which he took part. He was just the same. She threw herself into his arms. She felt so safe. It was wonderful to feel so safe.
Chapter Nine
Never afterward was Mathilda able to put the ringer of her memory on the moment that changed anything. It was like the tides on the beach. The sea would be coming up on the sand. Later, one was aware that it had begun to go down instead. But the moment of change escaped, couldn't be remembered, was not noticed at the time. So it was about Oliver.
There was a familiar hubbub. Grandy thought she was too thin. "My poor baby, your eyes are bigger than your face!"
Althea said, "That suit, Tyl!" with shocked disgust.
They introduced her to Jane Moynihan. Grandy had a visitor in his study who must be dismissed. He trotted off down the long room again. She saw Francis follow, saw him stop, halfway down, to speak to that pretty little girl named Jane. She saw Althea, watching.
Mathilda remembered later that she was able to turn easily and look Oliver square in the face, finding it the same friendly face, the same sandy eyebrows. Suddenly she could see the white walls of the African town in the sun. The waters of the oceans of the world were crisscrossed with the vanished tracks of the ships of men. She thought. I've been away.
He said, "Gosh, Tyl, you'll never know how I felt!"
She thought, I'll never care.
The tide had turned. It was going out. The strange thing was that it must have turned before this, and she hadn't known. But it was true; she didn't care any more how he felt, how he had felt or how he would feel tomorrow. The agony of caring was gone. Maybe
shed beaten it out of herself by caring so much and so hard. She felt very tired, as if all the sleep she'd lost over her emotions about him had accumulated in a reproachful cloud. It hadn't really been necessary.
Something must have gone out of her face, because Oliver could tell. She could see him persuading himself that he was, on the whole, relieved and glad. She saw right through. It was like watching the wheels go around in an insignificant toy. It was fascinating, but not important. Then the weariness lifted and Tyl felt free and lively. Her body felt light.
She said gaily, "Where are my things? Where do I go?"
"You re in the gray room." Althea was approaching with her mannequin's walk. "I'm afraid we took your old room, darling. Naturally, since it was always the nicest"
"Yes, I know," Tyl murmured. She was amused. It seemed to her that Althea was suddenly transparent too. Oliver picked up her suitcase. There was a little silence among the three of them, because Francis' two bags with his initials on them were there on the
floor.
It came into Mathilda's head to tell them, then and there, and yet she didn't. She ought to have said, "I'm not married to Francis." But something was wrong with her mood. She couldn't have said it without giggling.
"Fran's been down in the guest house," Althea was saying.
"Oh, leave them," said Tyl carelessly. She was too much amused, too tickled, too giddy with inner mirth to tell them now. She ran upstairs. Her feet felt like flying. Althea came pelting after.
"Lord, Tyl, you are a skinny little rat"
Mathilda was burrowing into the gray room's clothes closet. She found a green wool dress. In the eye of the
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