The Tragedy of Mister Morn

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Authors: Vladimir Nabokov, Thomas Karshan, Anastasia Tolstoy
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as pale
    as a lily of the valley … Ah—can it really
    be Ganus? We once were well acquainted. It
    is a secret, is it not, that you have returned
    to us? When last night you and I … how did
    I know? Well, by the brand, by the blue number—
    here—above your wrist: you wrung your hands
    and the number was revealed. I noticed it,
    and, as I recall, I said that in Desdemona …
    TREMENS:
    Here, have some wine, biscuits. Soon Ella
    will be back … You see, I live quietly,
    but happily. Pour some for me. By the way,
    there’s been a disagreement here: these
    gentlemen here want to decide which
    of them shall pay for a dinner … in honour
    of some fashionable dancer. If you could
    just …
    DANDILIO:
Of course! I’ll pay with pleasure!
    TREMENS:
No, no,
    not that … clasp the handkerchief and let out
    two ends—one with a knot.
    MORN:
Which can’t be seen,
    of course. Really, he’s a child—one must explain
    everything! Do you recall, you carefree dandelion,
    how one night I planted you atop a street lamp:
    the light shone through your grey tufts,
    and you were trying to pull a shaggy top hat
    over the moon and smacked your lips so happily …
    DANDILIO:
    And after that, the top hat smelled of milk.
    You prankster, I forgive you!
    GANUS:
Hurry … We asked you …
    This must be resolved …
    DANDILIO:
Come, come, my friend—
    patience … Here is my handkerchief. Not
    a handkerchief but a multicoloured flag.
    Forgive me. I’ll turn my back to you … Ready!
    TREMENS:
    He who pulls out the knot shall pay. Ganus,
    pull.
    GANUS:
    No knot!
    MORN:
You are lucky, as always …
    GANUS:
    I can’t … what have I done! I shouldn’t have …
    TREMENS:
    He clutches his head, mutters—but it’s not you—
    he’s the one who’s lost.
    DANDILIO:
Forgive me, what’s this …
    I have made a mistake … There is no knot,
    I didn’t tie one, look—what a miracle!
    EDMIN:
    Fate, fate, fate decided thus! Listen
    to fate. That’s the outcome! I beseech
    you—beseech you—to be reconciled!
    All is well!
    DANDILIO [ taking snuff ]:
And I shall pay for the dinner …
    TREMENS:
    The art connoisseur looks worried … Enough
    jesting with fate: give me that handkerchief!
    DANDILIO:
    What do you mean—give it to you? I need it—
    I sneeze,—it’s covered in tobacco, it’s damp;
    and what is more—I have a cold.
    TREMENS:
We’ll make it
    simpler, then! Here, with cards …
    GANUS [ mumbling ]:
I can’t.
    TREMENS:
Quick, which suit?
    MORN:
Well, I love the colour
    red—life, and roses, and sunrises …
    TREMENS:
Now
    I shall show the card! Ganus, stop!
    What a fool he is—
    he’s gone and fainted!
    DANDILIO:
    Hold him—oh, he’s heavy! Hold him, Tremens,—
    my bones are made of glass. Ah, there—
    he’s come to.
    GANUS:
God, forgive me.
    DANDILIO:
Let’s go, let’s go …
    lie down.
[ He leads GANUS to the bedroom .]
    MORN:
He could not bear the repetition
    of his good fortune. So. The eight of clubs.
    Very good.
[ to EDMIN ]
You’ve grown pale, friend? Why?
    To set in contrast still more sharply
    the black silhouette of my fate? Sometimes
    despair is the finest of all artists … I am
    ready. Where is the pistol?
    TREMENS:
Not here, though,
    please. I don’t like mess in my house.
    MORN:
Yes,
    you are right. Sleep soundly, worthy Tremens.
    My house is taller. The shot will resound
    more sonorously in it, and tomorrow
    will come a dawn in which I have no part.
    Let’s go, Edmin. I shall spend the night
    at Caesar’s.
[ MORN and EDMIN exit, the former supporting the latter .]
    TREMENS [ alone ]:
Thank you … My chill has been
    replaced by a flowing warmth … How pleasing is
    that grin anticipating death and the mortal
    glimmer in his eyes! He keeps his spirits up,
    he plays … I have no interest in the actor
    himself, yet—strange—it still seems to me
    that this is not the first time I have heard
    his voice: as when one remembers the tune
    but not the words; perhaps

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