The Thing

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Authors: Alan Dean Foster
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calm, methodical; the boredom apparent despite distance, time and even a different language.
    Norris let out a bored sigh. "Sounds like the verbal equivalent of the tape we've been mooning over. Hours of notes and nonsense."
    "What do you want from us?" Bennings wanted to know.
    Macready gestured for them to be patient. "Just listen. We thought the same way you do . . . at first."
    Copper played with the fast-forward control, eyeing the built-in tape counter as the machine squealed. At five-oh-one he stopped the racing cassette and depressed "play" a second time. The calm voice was heard again.
    Then something sounded dull, loud, and ugly, as though a distant explosion had taken place. The little machine's omnidirectional internal microphone wasn't large, but there was no mistaking that sharp cruuumppp from the speaker.
    A pounding noise followed the explosion. There were shouts, some near, some faraway. Then echoes of confusion, of equipment being tipped over, of glass shattering. Running feet grew loud, fading as their owners moved away from the recorder.
    Something went thunk and the volume intensified, as if the recorder had been hit or thrown against something hard. Feet sounded close by, banging wooden planks.
    A violent gurgling rose above the general cacophony, then a loud hiss like a steam boiler shutting down. Men screamed and raged in Norwegian.
    Then a piercing screech that made the hair on Norris's neck stand erect. Several explosions next, like cannon firing in the distance. The execrable screeching again, louder now, mixed with the howls of distraught, panicky men.
    Copper noted the grim expressions on the faces of those gathered around him. He derived no satisfaction from the effect the tape had on them. Soon all sound stopped. The tape had come to its end. He switched the machine off and regarded his companions in silence.
    "That's it?" Fuchs asked softly.
    Copper shook his head. "No. It's a split tape with automatic rewind. It goes on like that from the beginning of the second half for quite a while." He let that sink in before asking, "What do you gentlemen make of it? Neither Macready nor I could make any sense out of it."
    "Could be anything," Garry suggested. "Men in isolation are subject to pressures the psych boys don't always plan for. Could be the result of some beef that snowballed, got out of hand. Some little thing; an argument over a soccer score, ownership of a magazine . . . we've no way of knowing.
    "Something else, too," he added speculatively. "These guys weren't here very long. Usually serious psychological differences among crews show up in the first couple of months or wait until the end of a year's stay."
    "Yeah," agreed Copper, "but the differences usually don't end in homicide."
    "Maybe it wasn't just mental," Norris ventured. "Maybe their whole camp got bent out of shape from some other cause. Something they ate, maybe." He looked over at Copper. "What about it, Doc? Could some kind of food poisoning make 'em go crazy like that?"
    The physician mulled over Norris's theory. "It's not impossible." His eyes went back to the now quiescent tape deck. He recalled the screams, the sense of panic it had recorded. "Many men play around with mild hallucinogens during their duty tours. It's a good time to experiment. There's not really anyone around to arrest them. We do it ourselves. Take Palmer, for example."
    Fuchs defended the absent pilot. "Palmer's still flaky from all the acid he dropped back in the sixties. These days he doesn't touch anything stronger than sensimilla. At least, as far as I know he doesn't."
    "I know he doesn't," said the doctor soothingly. "His monthly checkups show that. None of us fiddle with dangerous stuff. But just because we don't doesn't mean these Norwegians didn't get into something heavy. If you've the time and inclination and a little chemical know-how you can whip up all kinds of cute goodies in the simplest of labs."
    "Yeah, like what?" asked Norris, with

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