a glorious display in the Gardens – the crocus carpet is in full bloom already – very early this year – and to stroll along Cherry Walk, one’s eyes taking in swathe upon swathe of these white and purple beauties, their heads bobbing in the breeze, is to realize that spring has come again – finally! Anyway, I hope you had a good time with your mother. Did she take you anywhere, do anything interesting with you? The NFT were showing The Magnificent Ambersons on Saturday evening and I would also have liked to take you along to that. I went by myself in the end, but while I was there I bumped into a friend of mine, Martin Wellbourne, and his wife Elizabeth, and they were kind enough to invite me for supper with them afterwards. So it was not such a solitary evening after all.
Now, about our plans for Saturday. I think I mentioned that there was a show at Tate Britain at the moment that you might find especially interesting? They are showing some films and photographs by a new young artist called Tacita Dean. You might possibly have heard of her already. A couple of years ago she was shortlisted for the Turner Prize. If you don’t like the sound of it, just say so and we shall certainly find something else to do, but I hope you will want to come. I have to say that I have very particular and personal reasons for wanting to see this show. You see, it contains a short film inspired by the disappearance at sea of the lone yachtsman Donald Crowhurst in the summer of 1969 – and even, so I am led to believe, some photographs of his ill-fated yacht, the Teignmouth Electron , which Ms Dean has taken just in the last couple of years, travelling for this purpose to its final resting place at Cayman Brac in the Caribbean.
It occurs to me that you might not know what on earth I am talking about here. It also occurs to me that, if I am to tell you a little bit about my fascination with the story of Donald Crowhurst, this is going to turn into a very long letter. But, no matter. It is Monday morning, an empty day stretches ahead of me, and there is nothing I like better than writing to my niece. So, excuse me for a moment while I go and pour myself another cup of coffee, and I shall try to explain.
Well now.
If I am to make you understand what the figure of Donald Crowhurst meant to me, when I was an eight-year-old boy, then I must take you back – back more than thirty years, to the England of 1968 – a place, and a time, which already seem unimaginably remote. I’m sure that the mention of that year summons up all sorts of associations for you: the year of student radicalism, the counter-culture – anti-Vietnam rallies and The Beatles’ White Album and all of that. Well, that only tells part of the story. England was – and always has been – a more complicated place than people would have us believe. What would you say if I told you that, in my memory of things, the great hero, the defining figure of that era was not John Lennon or Che Guevara, but a conservative, old-fashioned, sixty-five-year-old vegetarian with the looks and bearing of an avuncular Latin master? Can you even guess who I might be talking about? Does his name even mean anything any more?
I’m referring to Sir Francis Chichester.
You probably have no idea who Sir Francis Chichester was. Let me tell you, then. He was a yachtsman, a mariner – one of the most brilliant that England has ever produced. And in 1968 he was a celebrity, one of the most famous and talked-about people in the country. As famous as David Beckham is today, or Robbie Williams? Yes, I should think so. And his achievement, although it might seem pointless, I suppose, to today’s younger generation, remains, in many people’s eyes, much greater than simply playing football or writing pop songs. He was famous for sailing around the world, single-handed, in his boat Gypsy Moth . He completed the voyage in 226 days, and most incredibly of all, during that time he made only one
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