a clan of men and women who made mysterious and dramatic exits. But her reason for leaving must have been too awful, too painful, because Maggie was said to be a born storyteller, and that story was the one she would never tell.
For her secret torment, for her many fine qualities, Maggie deserved a bit of happiness when she docked at Ellis Island. Instead life got harder. Working as a maid in one of the grand estates on Long Island, she was passing an upstairs window one day when she spotted a gardener beneath a tree, reading a book. He was “despicably handsome,” she said years later, and obviously educated. Maggie fell hard. She confided her love to a friend, another maid, and they conceived a plan. The friend, who knew how to write, would take down Maggie’s thoughts and turn them into love letters, which Maggie would sign and slip into the gardener’s book while he pruned the roses. Naturally the gardener was awed by Maggie’s letters, seduced by her soaring prose, and after a whirlwind courtship he and Maggie married. When he learned that Maggie was illiterate, however, the gardener felt cheated, and thus was born a lifelong resentment, which he used to justify drinking and beating her—until their three boys caught him and took him by the throat.
While Grandma was telling me stories late one night, Grandpa appeared in the kitchen. “Give me some cake,” he said to her.
“I’m right in the middle of a story,” she said.
“Give me a piece of goddamned cake and don’t make me ask you twice, you goddamned stupid woman!”
Where Grandpa was merely cold with his children, and off-putting with his grandchildren, he was ugly to Grandma. He belittled her, bullied her, tormented her for sport, and his cruelty was crystallized in his name for her. I never once heard him call her Margaret. He called her Stupid Woman, which sounded like a perversion of certain Indian names—Great Bear and Laughing Water—in
Hiawatha
. I didn’t understand why Grandma allowed Grandpa to mistreat her, because I didn’t understand the depth of her dependence on him, emotional and financial. Grandpa understood, and exploited it, keeping her in rags to match his own. Out of the forty dollars he gave her each week for food and household expenses, there was nothing left over for a new dress or shoes. Her daily outfit was a tattered housecoat. It was her garb of submission, her sackcloth.
After Grandpa left the kitchen—after Grandma had served him his cake—there was a dreadful silence. I watched Grandma, her gaze riveted on her plate. She removed her thick glasses and touched her left eye, which was now fluttering, twitching, a nervous tic. A photo taken when Grandma was nineteen shows her blue eyes calm and steady, her round face framed by crinkly blond hair. It wasn’t a conventionally pretty face, but the features were harmonized by vitality, and when that vitality was gone—dreaded away, bullied away—the features fell out of tune. Along with the twitching eye, the nose sagged, the lips retracted, the cheeks sank. Every day of degradation and shame showed. Even when she was silent, Grandma’s face was telling a story.
Though I didn’t understand why Grandma couldn’t fight back, why she didn’t heed her genetic legacy and leave, I understood quite well after that visitation from Grandpa why she told all those stories about men. It wasn’t for my benefit alone. She was her own best audience, reminding herself, reassuring herself, that good men do exist, that they might ride to our rescue any moment. As she continued to stare at the crumbs I felt that I should say something, that someone should say something before we were both swallowed by the silence. So I asked, “Why are there so many bad men in our family?”
Without looking up she said, “It’s not just our family. There are bad men everywhere. That’s why I want you to grow up to be good.” Slowly she raised her eyes. “That’s why I want you to
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