picture with the piece of bread between them. Then Father Dupree—the priest at the shrine—arrives. “Fascinating,” he says, peering over the edge of his bifocals.
By now, the bread has grown stale. The half of the loaf that Mary hasn’t cut yet, of course, has a matching picture of Jesus. It strikes me that the thinner you cut the slices, the more incarnations of Jesus you would have.
“The real question isn’t that God appeared,” Father Dupree tells Mary. “He’s always here. It’s why He chose to appear now .”
Rocco and I are watching this from a distance, leaning on the counter with our arms folded. “Good Lord,” I murmur.
He snorts. “Exactly. Looks like / You baked the Father, the Son / And the Holy Toast.”
The door flies open and a reporter with frizzy brown hair enters,trailed by a bear of a cameraman. “Is this where the Jesus Loaf is?”
Mary steps forward. “Yes, I’m Mary DeAngelis. I own the bakery.”
“Great,” the reporter says. “I’m Harriet Yarrow from WMUR. We’d like to talk to you and your employees. Last year we did a human-interest piece on a logger who saw the Virgin Mary in a tree stump and chained himself to it to keep his company from stripping the rest of that forest. It was the most watched piece of 2012. Are we rolling? Yes? Great.”
While she interviews Mary and Father Dupree, I hide behind Rocco, who rings up three baguettes, a hot chocolate, and a semolina loaf. Then Harriet sticks her microphone in my face. “Is this the baker?” she asks Mary.
The camera has a red light above its cyclopean eye, which blinks awake while filming. I stare at it, stricken by the thought of the whole state seeing me on the midday news. I drop my chin to my chest, obliterating my face, even as my cheeks burn with embarrassment. How much has he already filmed? Just a glimpse of my scar before I ducked my head? Or enough to make children drop their spoons in their soup bowls; for their mothers to turn off the television for fear of giving birth to nightmares? “I have to go,” I mutter, and I bolt into the bakery office, and out the back door.
I take the Holy Stairs two at a time. Everyone comes to the shrine to see the giant rosary, but I like the little grotto at the top of the hill that Mary’s planted to look like a Monet painting. It’s an area nobody ever visits—which, of course, is exactly how I like it.
This is why I’m surprised when I hear footsteps. When Josef appears, leaning heavily on the railing, I rush over to help him. “What is going on down there? Is someone famous having coffee?”
“Sort of. Mary thinks she saw the face of Jesus in one of my loaves.”
I expect him to scoff, but instead Josef tilts his head, considering this. “I suppose God tends to show up in places we would not expect.”
“You believe in God?” I say, truly surprised. After our conversation about Heaven and Hell, I had assumed that he was an atheist, too.
“Yes,” Josef replies. “He judges us at the end. The Old Testament God. You must know about this, as a Jew.”
I feel that pang of isolation, of difference. “I never said I was Jewish.”
Now Josef looks surprised. “But your mother—”
“Is not me.”
Emotions chase over his features in quick succession, as if he is wrestling with a dilemma. “The child of a Jewish mother is a Jew.”
“I suppose it depends on who you’re asking. And I’m asking you why it matters.”
“I did not mean to offend,” he says stiffly. “I came to ask a favor, and I just needed to be certain you were who I thought you were.” Josef takes a deep breath, and when he exhales, the words he speaks hang between us. “I would like you to help me die.”
“What?” I say, truly shocked. “Why?”
He is having a senile moment, I think. But Josef’s eyes are bright and focused. “I know this is a surprising request . . .”
“Surprising? How about insane— ”
“I have my reasons,” Josef says, stubborn.
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