struggling through the soft sand was simply too much for him and he stumbled back onto the rain-swept asphalt road and continued toward the lights of the small village. He pushed forward as best he could, afraid that the snake-head would leave before Li found him.
But a moment later he received the reassurance that the man was still here: several more gunshots.
Li struggled up a hill and peered into the streaming wind and rain but he could see no one. The sound had apparently been carried some distance on the wind.
Discouraged, he continued forward. For ten endless minutes he battled his way along the road, throwing his head back occasionally and letting the rain soak his parched mouth. After all the seawater he'd swallowed he was desperately thirsty.
Then he saw, on his right, a small orange life raft sitting on the beach. He assumed that it was the Ghost's. He looked up and down the shore for the snakehead but it was impossible to see very far through the mist and the rain.
He started toward the raft, thinking that perhaps he could follow the man's footprints and find him hiding in town. But as he took a step off the road a flashing light appeared. He wiped the rain from his eyes and squinted. The light was blue and moving rapidly toward him along the road.
INS? Security bureau officers?
Li hurried into some dense bushes on the far side of the asphalt. He crouched and watched the light grow brighter as the vehicle in which it was mounted, a sporty yellow convertible, materialized out of the rain and murk and skidded to a stop 100 meters away. In a crouch Li began to move slowly toward the car.
Amelia Sachs stood on the rain-swept beach, staring down at the woman's body, slumped in the grotesque pose of death.
"He's killing them, Rhyme," Amelia Sachs, dismayed, whispered into the headset mike of her Motorola SP-50 handy-talkie. "He's shot two of them, a man and a woman. In the back. They're dead."
"Shot them?" The criminalist's voice was hollow and she knew that he was shouldering the responsibility for yet more deaths.
The ESU officer trotted toward her, holding his machine gun ready. "No sign of him," the man shouted over the wind. "People in that restaurant a half click up the road said that somebody stole a car about twenty minutes ago." The officer gave Sachs the description of a Honda and the tag number and she relayed it to Rhyme.
"Lon'll put it on the wire," he said. "Was he alone?"
"Think so. Because of the rain there're no footprints in the sand but I found some in the mud, where he was standing to shoot the woman. He was by himself then."
"So we'll assume his bangshou's still unaccounted for. He could've gotten to shore in another raft. Or he might've been in the wrecked one."
Her hand near her weapon, she scanned the scenery. Fog-bleached forms of rocks and dunes and brush surrounded her. A man with a gun would be invisible.
Then she said, "We're going to look for the immigrants, Rhyme."
She expected him to disagree, to tell her to run the scene first, before the raging elements destroyed all the evidence. But he said simply, "Good luck, Sachs. Call me back when you start on the grid." The line went dead.
Search well but watch your back. ...
The two officers trotted along the beach. They came across a second raft, a smaller one, beached a hundred yards from the first. Sachs's instinctive reaction was to search it for evidence but she stayed true to her immediate mission and, arthritis stabbing her joints, ran with the wind at her back as she scanned the landscape for the immigrants—and signs of an ambush or a hidey-hole where the Ghost might've gone to ground.
They found neither.
Then she heard sirens in the distance, carried on the streaming wind, and saw the carnival of emergency vehicles speed into town. The dozen or so residents who'd been ensconced in the restaurant and gas station now braved the weather to find out exactly what kind of excitement the storm had brought to their
Kathleen Karr
Sabrina Darby
Jean Harrington
Charles Curtis
Siri Hustvedt
Maureen Child
Ken Follett
William Tyree
Karen Harbaugh
Morris West