him out? Whom can you possibly tell, and what will you say? “He's a liar”? “He's crazy”? “He raped me in his office”? “He's got spooky eyes”? “He used to kill frogs”? But this is a leader of the community, in an Armani suit. This is Juliette's beloved husband, and the father of two. This man is the CEO of the Arika Corporation, for goodness sake! Just what are you accusing him of, and what proof do you have? Who is going to sound crazier—chief executive Skip, or his accuser? And sealing his invulnerability, there are those who need Skip to be around for one reason or another, including people who are wealthy and powerful. Are they going to care what you say?
In his unassailability, and in many other ways, Skip is an exemplary sociopath. He has, in the words of the American Psychiatric Association, “a greater than normal need for stimulation,” and so he often takes big risks, and he guiltlessly charms others into taking them, too. He has a history of undocumented childhood “behavior problems,” obscured by his parents' social privilege. He is deceitful and manipulative. He can be impulsively aggressive with “a reckless disregard for the safety of others,” as he was with the employee whose arm he broke, and with the other women whose stories will never be heard. Perhaps the only classic “symptom” Skip does not exhibit is substance abuse. The closest he ever comes to that is one too many scotches after dinner. Otherwise, the picture is complete. He is not genuinely interested in bonding with anyone, he is consistently irresponsible, and he has no remorse.
And so how does all of this turn in his mind? What makes him tick? What exactly does Skip want ?
Most of us have other people to motivate us and to populate our desires. People drive our wishes and our dreams. People who live with us, people who are far away, beloved people who have died, aggravating people who will not leave, places made sentimental by whom we knew there, even our pets—these fill our hearts and our thoughts. Even the most introverted among us is defined by her relationships, and preoccupied with reactions to and feelings about, antipathies and affections for, other people. Emotional intrigue, romance, nurturing, rejection, and reunion comprise nearly all of our literature and song. We are overwhelmingly relational creatures, and this is true all the way back to our primate ancestors. Jane Goodall says the chimpanzees she observed in Gombe “have a rich repertoire of behaviours that serve to maintain or restore social harmony. . . . The embracing, kissing, patting and holding of hands that serve as greetings after separation . . . The long, peaceful sessions of relaxed social grooming. The sharing of food. The concern for the sick or wounded.” And so without our primordial attachments to others, what would we be?
Evidently, we would be the players of a game, one that resembled a giant chess match, with our fellow human beings as the rooks, the knights, and the pawns. For this is the essence of sociopathic behavior and desire. The only thing Skip really wants—the only thing left—is to win.
Skip does not spend any time searching for someone to love. He cannot love. He does not worry about friends or family members who may be sick or in trouble, because he cannot worry about other people. He cares nothing for others, and so he cannot enjoy telling his parents or his wife about his many successes in the business world. He can have dinner with whomever he pleases, but he cannot share the moment with anyone at all. And when his children were born, he was not scared, but neither was he excited. He can derive no real joy from being with them, or from watching them grow up.
But there is one thing Skip can do, and he does this one thing better than almost anyone else: Skip is brilliant at winning. He can dominate. He can bend others to his will. When he was a boy, the frogs died when he decided they should die, his
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