but she wasnât there. Or even Lynn â¦
At first I was sorry Iâd come, as he seemed too explosive and temperamental to have much attention for outside things but after a while the producer went off to argue with somebody at the back of the stage. We talked for a minute or two and then I told Simon about Lynn.
He didnât give much, but sat sideways with his elbows on the back of the seat in front, rubbing his chin on his thumb.
âIâm sorry, Michael. Very sorry indeed.â
âDid you know about it?â
âNot altogether. But I suspected something. I think youâve been wise in not following her.â
âWhy particularly?â
âWell, in my opinion sheâs behaving like an immoderate little fool. If there is a hope of patching this up â and I donât in the least propose to guess what your feelings are for each other now â if there is a hope it lies in leaving her on her own to work this over for herself and find her own way out of it.â
I was a bit surprised at the strong way heâd put it. âHave you seen her?â
âNo.â After a second he added, lisping: âOf course I should be the last person to discourage you from meeting her half-way. But to go after her now, to meet her on her own terms, so to speak, giving her the impression that sheâs more sinned against than sinning, would put an end to any hope there ever was of your coming satisfactorily together again. I know Lynn.â
âPerhaps she is more sinned against than sinning.â
âOh, nonsense.â He pulled at his big knitted tie until it came still looser. âWhat woman hasnât been neglected sometime in her life because the man is buried in his work? Youâve slept at home most nights, havenât you? And has it escaped everyoneâs notice that youâve been working for her? Where did she get that handsome piece of cat she usually wears on her back â or her car, or the money to decorate her new home according to her most extravagant fancy? And isnât she a partner in the firm? Didnât you tell me that?â
âSheâs got a small stake, yes.â
He didnât speak for a while but frowned penetratingly at the stage. âThe difficulty with a dollâs size theatre like this is one has to be so careful not to dwarf the actors and the audience. One has to suggest magnificence in miniscule. Tell me, Michael, what your own feeling about Lynn is at this moment.â
I said: âI think Lynnâs a person with a very keen artistic and creative side to her. If you starve that, she starves. Sheâd probably have been much happier with a different sort of man.â
âSuch as?â
I looked at him. â Well, such as yourself, for instance.â
He stood up suddenly and shouted: âNo, no, take it off! Take it off!â Some men moved across the stage and he slumped back in his seat. âThe idea did cross my mind when I first met her. But it wouldnât have worked. Any other suggestions?â
âWell, Ray French perhaps.â
âAn artist, I agree, and a good one. But very much a man on the make. Anyway, she couldnât have him, heâs engaged.â
âI hadnât heard.â
âIt was in The Times recently. Someone called du Caine.â
âOh, yes, we met her with him at Glyndebourne. Anyway, Iâm not saying you or him, but someone in that general group.â
He said: âHearing you talk, Michael, it seems to me that Lynn has given you a very serious sense of inferiority about yourself and everything you do. You always liked music when I first knew you. Now you start apologising because you donât understand Hindemith ⦠What is this youâre working on at present, this scintillation something or other? Is it on the secret list?â
I pushed down the seat beside me and rested a hand on it. âYou know uranium â deposits of
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