turned and walked ahead of me into the house, putting on lights as he went. The hall stretched straight on back through the house, past another hall that led, I assumed, to the bedrooms. Off to the right was a large room of some kind; to the left, another big room where the tragedy had happened. The death room, as the press would probably call it.
McNamara went left and turned on the lights. I came to the door and stood there for a moment looking at the carnage. The carpet had been a light tanâprobably lighter than it now seemed, I thought: now the center of it was dominated by an ugly black bloodstain. How many death scenes had I seen like this in my years as a Denver cop? I didnât know what it would tell me this time; maybe nothing, but a cop always had to look, and in that moment I was a cop again. McNamara had gone across the room, stepping gingerly around the blood to stand near an old-style rinky-tink piano. Behind the piano was a pair of French doors, which were curtained with some flimsy lace stuff. I didnât move. McNamara watched me as if heâd seen me work in some past life and knew what to expect. My eyes roved around the room and finally came back to where the old man was.
âUgly, isnât it?â he said.
âIt always is, Parley.â
âWhatâre you lookinâ for?â
âNo idea,â I said. âMaybe Iâm just hoping the room will speak to me.â
âYou cops are funny birds.â
âYeah. Some of us are a riot.â
Eventually I came into the room, taking care not to touch anything. Yes, it had been three weeks. The sheriff had gone over it and he had had technicians out from the CBI, but to me it was a new scene. I could now see for myself what Parley had just told me: that this house, this cabin, had been built in pieces, with God knew how many add-ons over time, and this main room had probably been here for the full sixty years. There was nothing new-looking anywhere in sight. Straight across the room was a rustic rock fireplace. To the left of that, a glassed-in porch that in good weather would overlook the mountain range. But now darkness had spread beyond the glass, and with the lights on it seemed even darker, as if night had been upon us for hours.
âSo whatâs it tell you?â Parley asked.
âNothing yet.â I shrugged: I really didnât expect much. âItâs cold.â
My eyes roved back to the left. There, near the fireplace, was a couch and a small circle of chairs with a coffee table in the center. Two floor lamps were placed behind the chairs, making it a cozy little reading circle when the fire was lit. In fact, a small stack of books was on the table and instinctively I moved across the room to see what they were. I looked down at The Quality of Courage, a recent book with Mickey Mantleâs byline.
âWas Marshall a baseball fan?â
He shrugged. âI really didnât know him that well.â
I bent over and touched the book by the edge. âCan I borrow your gloves for a minute?â
âYou think theyâll fit you?â
âYou got big hands, Parley. Theyâll be good enough.â
I pulled the right glove on. It was snug, not quite tight.
âWhatâs the deal?â Parley said. âSheriff said they were finished in here.â
âMaybe, but I donât see any residue on these books.â
âYou mean fingerprint dust?â
I nodded. âJust call it an old copâs habit. I donât like to touch things where somebodyâs been killed.â
I picked off the Mantle book, holding it by the corners, and laid it flat on the table beside the others. Under it was a novel, The Ballad of Cat Ballou, and under that a thing called How to Be a Bandleader, by Paul Whiteman. Under that was The Speeches of Adlai Stevenson, and at the bottom was a cheap tattered paperback, Gabby Hayesâ Treasure Chest of Tall Tales.
McNamara seemed to
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