The Planets

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Authors: Sergio Chejfec
anonymous end, absorbed by a confusion not unlike the one to which they had exposed themselves as children, and which had perhaps marked them for a long time before that. With the boot, the wise old man would have solved the mystery for them: the one who was able to put it on and walk in it would be Miguel, since he had lost it in a previous life and it had later been thrown into the river by an angel so that one fateful night, if he passed the test, he would be able to recover it. But since this required the trust of both—they were still indistinguishable from one another—and such a thing did not exist, the two ended up being punished by an undefined, though evidently quite effective, authority. This authority may have been religious, or it may have been nature in general, their own desperation, or anything, really; the problem, if there was one, resided in the fact that it was both superfluous and inevitable, just like the lives of our two heroes.
     
    The other listened to M with particular attention throughout the story. From time to time the bus would slow down, until the driver noticed the delay and drove at full speed for a few blocks, only to slow down again later. When M finished, the other reflected on the obvious: that he could not find any connection between the story and the matter of more or less authentic Jews. It’s strange that you don’t see it, said M. It’s not the story itself, but the insecurity about one’s own nature, one’s own identity. The Jews are like Sergio and Miguel, each believing he’s the other, before or after, less or more than himself; they pass through life in this indecision, some with faith and others in puzzlement. When they take steps to discover the truth, everything becomes distorted. The universe that brought them to question their condition is disturbed and they remain adrift, somewhere in the expanse, while fear goes to work inside them. The Jews were never certain of their origins, which is why they found themselves surrounded by insecurity: both that of the world they believed they were observing and to which, despite everything, they were certain they belonged, and that of a more palpable and menacing sort, the kind represented by hostility.
     
    The Orthodox Jews had passed and their long coats were probably already being illuminated by a different light, but they were nonetheless still among us, summoned by the narrative and the conversation. M could make any number of arguments, including contradictory ones, in favor of the authentic nature of religious Jews, but I sensed something in everything he said that exceeded the literal: a desire for the words to become something else, to reach another level, an auxiliary plane on which they did not need any proof to assert their truth. The subaltern and equivocal character of his language, paradoxically, turned the moment into an absolute truth. It may seem mysterious, but the excess borne by that which accompanies the voice is the substance to which images, commentaries, and influence yield. In this way, more than for what he actually said, M was credible because of these intimations, despite that fact that one—in this case, me—was only in a position to judge what was actually heard. “It is the phrase,” he would say to the other on more than one occasion when they returned to the subject, “not the word, that establishes a prior truth” (understanding a phrase to be the combination of things that accompany the word).
    The religious Jews could have been anywhere at that moment, but there was no question that an imagined pattern connected their bodies with ours, which were now walking down the wide sidewalks of Villa Urquiza along calle Altolaguirre, as though we—them and us—were figures, entities that were equally vital to this constellation. And so, he continued, even within time we are joined with them in solidarity as we define space. The story of Miguel and Sergio was not enigmatic because of its

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