hates himself,â said Brian, âlet him act accordingly.â
âDo you want your brother to commit suicide?â
âNo, I just mean swallow his own bile, not involve other people.â
âI think â â said Gabriel.
âGet himself some electric shocks.â
âDonât drivel, â said Alex.
Gabriel said, âOh no. â
âAll right then, what about our great psychiatrist, Ivor Sefton?â
âSefton is a booby,â said Alex. âHe never cured anyone, they come out dafter than they go in. And he charges the earth.â
âHe can have it free on the National Health.â
âOnly in a group, imagine George in a group!â
âNo one would join his group anyway,â said Brian. âAt least George has got a good pension, I canât think why. His pension is about the same as my salary!â
âGeorge isnât mad.â
âI didnât say he was.â
âLeave him alone. You know weâve got to leave him alone.â
âI wonder if Professor Rozanov could help him,â said Gabriel.
âWho?â said Alex.
âJohn Robert Rozanov,â said Brian. âWhy should he? Anyway heâs old and pretty gaga by now.â
âI wonder what happened to the little girl,â said Gabriel.
âWhat little girl?â
âWasnât there a little grandchild, the one Rubyâs cousin or something was looking after once?â
âIâve no notion,â said Brian. âI donât think Rozanov ever saw the child at all, he wasnât interested; he only cared about his philosophy.â
âAnd thatâs the man you imagine could help George!â
âWell, wasnât he his old teacher?â said Gabriel.
âI canât see George bothering with him,â said Brian.
âLeave George alone,â Alex repeated.
In the silence that followed Gabriel drifted over to the bow window, past chairs and sofas piled with cushions embroidered by Alex. This move was a part of the symphony, the sign that Brian and his mother could now take looks at each other and bring the conversation to a suitable close.
Gabriel saw the reflection of her cigarette grow brighter in the glass pane. Then she could see the familiar burly outline of the trees against a dull darkening sky. The self-contained stillness of that garden always troubled her with emotions - awe, envy, fear. She sighed, thinking of that future of which Alex could say nothing. She looked down. A little white thing sped across the lawn like a ball swiftly bowled, then a boy. They vanished under the dark trees. Such a frail little dog, the very image of her destructible son. Adam was not growing, he was already exceptionally small for his age. She had asked the doctor who told her not to worry.
When Adam arrived in the Belmont garden he went straight to the garage. The garage, which used to be known as the âmotor houseâ, was a building with a little French-looking turret which was exactly like the big turret on the big house. There was a row of last yearâs martinsâ nests under the eaves, but this yearâs martins had not yet come. Inside the garage was the white Rolls-Royce which Alan McCaffrey had driven carefully in on some long ago evening, perhaps, as he pressed down the brake, not even knowing that he was about to leave his wife forever. He never came back for the car; and Alex had not touched it since. It was said to be very valuable. Adam climbed into the Rolls and sat holding the wheel and turning it cannily to and fro, while Zed (who always had to be helped up however earnestly he tried) sat complacently upon the soft old smelly leather seat beside him, looking in his white feathery fur like a plump roosting bird. Zed had one or two elegant black spots on his back, and long dark plumed black and brown ears which crowned his head like a wig or hat. He had a little domed head and a short slightly
Philip Kerr
C.M. Boers
Constance Barker
Mary Renault
Norah Wilson
Robin D. Owens
Lacey Roberts
Benjamin Lebert
Don Bruns
Kim Harrison