through the shell. Easily enough done with a fist.â
Chopra reflected on this. âYou are saying that this crime was planned a long time ago.â
âNo flies on you, I can see,â McTavish said. âCome on.â
He led Chopra next to the shattered display case in which the crown had been housed. âThis is reinforced ballistic glass. You can bounce bullets off it. Itâd take a sledgehammer to break through it, and Iâm pretty sure thereâs noâ enough space in that hole for one of those.â
âThen how did they do it?â
âI donât know. Not yet, anyrood. To be frank Iâm noâ so sure they
broke
the glass.â
âWhat do you mean?â
âI have a theory⦠but I need to conduct more tests first. Come on.â
Chopra followed McTavish to the galleryâs rear door, where a swathe of debris was being hoovered up by a forensic technician. Looking through the gaping hole in the very centre of the door Chopra saw another technician out in the corridor, similarly vacuuming the floor. Noticing his gaze, McTavish said, âThey used enough charge to blow that hole through, but not enough to damage anything else in the gallery. Standard plastic explosive, C4, packed inside a copper focuser. Detonator and blast-cap set-up. Professional work. There seems to have been a bit of blowback into the corridor.â
âIs that usual?â
McTavish shrugged. âWell, explosions arenât my speciality, but I believe so. Something to do with shock waves and negative-pressure blast winds.â He scratched the back of his skull with a gloved finger. âAt any rate, the current thinking is that our villains came up through the fire exit stairs, into yonder corridor, blew a hole through this sealed door and ducked straight into the gallery. They recovered the gas canisters from the statue, put everyone to sleep, smashed the display case, grabbed the crown and went back the way they came. The whole caper couldnât have taken more than a few minutes from start to finish.â
Chopra looked through the gaping hole again and into the marbled corridor that stretched from the Tata Gallery to the Jahangir Gallery on the east wing. He knew that the corridor had been off limits during the exhibition, another security precaution that had backfired as it now meant that there were no witnesses. Halfway along the corridor, double doors led onto the fire exit stairwell. The media had surmised that the thieves had used these stairs both to infiltrate the corridor and then later to make their escape.
âHow did they get the plastic explosive into the building past the Force One Unit and the scanners?â Chopra asked. âAnd if they had a way to do that why did they need to hide the gas canisters in the statue beforehand? Why didnât they just bring them in on the day of the heist, like the explosive?â
McTavish gave a wolfish grin. âTop marks, Chopra. Who says Indian polis cannae find their own bottoms without a map?â
Chopra frowned. âI do not know. Who says this?â
âWhat?â It was McTavishâs turn to frown.
âWho says this? About Indian officers and their bottoms?â
McTavish opened his mouth, then closed it. âItâs just a saying. To answer your question: we might assume they hid the plastic explosive in another part of the museum, inside another statue perhaps, one accessible outside the Tata Gallery.â
âDid they?â
âNot a chance,â replied the Scot briskly. âWeâve gone over everything. Every exhibit. Every nook and cranny. No sneaky hiding places. Nothing.â
Chopraâs frown deepened.
âLittle things, Chopra,â continued McTavish. âYou ever read that story about the princess and the pea?â
âWhat has thatâ?â
âThere was this prince,â interrupted McTavish, âon the lookout for a princess. Only he
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