life there had been no literary romance. At nineteen he took Katherine Mullock to three dances because she was available. This started the machine of precedent and he married her because her family and all of the neighbors expected it. Katherine was not pretty, but she had the firm freshness of a new weed, and the bridling vigor of a young mare. After her marriage she lost her vigor and her freshness as a flower does once it has received pollen. Her face sagged, her hips broadened, and she entered into her second destiny, that of work.
In his treatment of her, Shark was neither tender nor cruel. He governed her with the same gentle inflexibility he used on horses. Cruelty would have seemed to him as foolish as indulgence. He never talked to her as to human, never spoke of his hopes or thoughts or failures, of his paper wealth nor of the peach crop. Katherine would have been puzzled and worried if he had. Her life was sufficiently complicated without the added burden of anotherâs thoughts and problems.
The brown Wicks house was the only unbeautiful thing on the farm. The trash and litter of nature disappears into the ground with the passing of each year, but manâs litter has more permanence. The yard was strewn with old sacks, with papers, bits of broken glass and tangles of baling wire. The only place on the farm where grass and flowers would not grow was the hard-packed dirt around the house, dirt made sterile and unfriendly by emptied tubs of soapy water. Shark irrigated his orchard, but he could see no reason for wasting good water around the house.
When Alice was born, the women of the Pastures of Heaven came herding into Sharkâs house prepared to exclaim that it was a pretty baby. When they saw it was a beautiful baby, they did not know what to say. Those feminine exclamations of delight designed to reassure young mothers that the horrible reptilian creatures in their arms are human and will not grow up to be monstrosities, lost their meaning. Furthermore, Katherine had looked at her child with eyes untainted by the artificial enthusiasm with which most women smother their disappointments. When Katherine had seen that the baby was beautiful, she was filled with wonder and with awe and misgiving. The fact of Aliceâs beauty was too marvelous to be without retribution. Pretty babies, Katherine said to herself, usually turned out ugly men and women. By saying it, she beat off some of the misgiving as though she had apprehended Fate at its tricks and robbed it of potency by her foreknowledge.
On that first day of visiting, Shark heard one of the women say to another in a tone of unbelief, âBut it really is a pretty baby. How do you suppose it could be so pretty?â
Shark went back to the bedroom and looked long at his little daughter. Out in the orchard he pondered over the matter. The baby really was beautiful. It was foolish to think that he or Katherine or any of their relatives had anything to do with it for they were all homely even as ordinary people go. Clearly a very precious thing had been given to him, and, since precious things were universally coveted, Alice must be protected. Shark believed in God when he thought of it, of course, as that shadowy being who did everything he could not understand.
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Alice grew and became more and more beautiful. Her skin was as lucent and rich as poppies; her black hair had the soft crispness of fern stems, her eyes were misty skies of promise. One looked into the childâs serious eyes and started forward thinkingââSomething is in there that I know, something I seem to remember sharply, or something I have spent all my life searching for.â Then Alice turned her head. âWhy! It is only a lovely little girl.â
Shark saw this recognition take place in many people. He saw men blush when they looked at her, saw little boys fight like tigers when she was about.
He thought he read covetousness in every male face. Of ten
Lisa Black
Margaret Duffy
Erin Bowman
Kate Christensen
Steve Kluger
Jake Bible
Jan Irving
G.L. Snodgrass
Chris Taylor
Jax