Read Online The Outlander Series 7-Book Bundle by Diana Gabaldon - Free Book Online Page B
Authors: Diana Gabaldon
Ads: Link
accidental, a blind drifting through the fog of noise.
Once, traveling at night, I fell asleep in the passenger seat of a moving car, lulled by the noise and motion into an illusion of serene weightlessness. The driver of the car took a bridge too fast and lost control, and I woke from my floating dream straight into the glare of headlights and the sickening sensation of falling at high speed. That abrupt transition is as close as I can come to describing the feeling I experienced, but it falls woefully short.
I could say that my field of vision contracted to a single dark spot, then disappeared altogether, leaving not darkness, but a bright void. I could say that I felt as though I were spinning, or as though I were being pulled inside out. All these things are true, yet none of them conveys the sense I had of complete disruption, of being slammed very hard against something that wasn’t there.
The truth is that nothing moved, nothing changed, nothing whatever appeared to
happen
and yet I experienced a feeling of elemental terror so great that I lost all sense of who, or what, or where I was. I was in the heart of chaos, and no power of mind or body was of use against it.
I cannot really say I lost consciousness, but I was certainly not aware of myself for some time. I “woke,” if that’s the word, when I stumbled on a rock near the bottom of the hill. I half slid the remaining few feet and fetched up on the thick tufted grass at the foot.
I felt sick and dizzy. I crawled toward a stand of oak saplings and leaned against one to steady myself. There was a confused noise of shouting nearby, which reminded me of the sounds I had heard, and felt, in the stone circle. The ring of inhuman violence was lacking, though; this was the normal sound of human conflict, and I turned toward it.
3
THE MAN IN THE WOOD
The men were some distance away when I saw them. Two or three, dressed in kilts, running like the dickens across a small clearing. There was a far-off banging noise that I rather dazedly identified as gunshots.
I was quite sure I was still hallucinating when the sound of shots was followed by the appearance of five or six men dressed in red coats and knee breeches, waving muskets. I blinked and stared. I moved my hand before my face and held up two fingers. I saw two fingers, all present and correct. No blurring of vision. I sniffed the air cautiously. The pungent odor of trees in spring and a faint whiff of clover from a clump near my feet. No olfactory delusions.
I felt my head. No soreness anywhere. Concussion unlikely then. Pulse a little fast, but steady.
The sound of distant yelling changed abruptly. There was a thunder of hooves, and several horses came charging in my direction, kilted Scots atop them, yodeling in Gaelic. I dodged out of the way with an agility that seemed to prove I had not been physically damaged, whatever my mental state.
And then it came to me, as one of the redcoats, knocked flat by a fleeing Scot, rose and shook his fist theatrically after the horses. Of course. A film! I shook my head at my own slowness. They were shooting a costume drama of some sort, that was all. One of those Bonnie-Prince-in-the-heather sorts of things, no doubt.
Well. Regardless of artistic merit, the film crew wouldn’t thank me for introducing a note of historic inauthenticity into their shots. I doubled back into the wood, meaning to make a wide circle around the clearing and come out on the road where I had left the car. The going was more difficult than I had expected, though. The wood was a young one, and dense with underbrush that snagged my clothes. I had to go carefully through the spindly saplings, disentangling my skirts from the brambles as I went.
Had he been a snake, I would have stepped on him. He stood so quietly among the saplings as almost to have been one of them, and I did not see him until a hand shot out and gripped me by the arm.
Its companion clapped over my mouth as I was dragged
Once, traveling at night, I fell asleep in the passenger seat of a moving car, lulled by the noise and motion into an illusion of serene weightlessness. The driver of the car took a bridge too fast and lost control, and I woke from my floating dream straight into the glare of headlights and the sickening sensation of falling at high speed. That abrupt transition is as close as I can come to describing the feeling I experienced, but it falls woefully short.
I could say that my field of vision contracted to a single dark spot, then disappeared altogether, leaving not darkness, but a bright void. I could say that I felt as though I were spinning, or as though I were being pulled inside out. All these things are true, yet none of them conveys the sense I had of complete disruption, of being slammed very hard against something that wasn’t there.
The truth is that nothing moved, nothing changed, nothing whatever appeared to
happen
and yet I experienced a feeling of elemental terror so great that I lost all sense of who, or what, or where I was. I was in the heart of chaos, and no power of mind or body was of use against it.
I cannot really say I lost consciousness, but I was certainly not aware of myself for some time. I “woke,” if that’s the word, when I stumbled on a rock near the bottom of the hill. I half slid the remaining few feet and fetched up on the thick tufted grass at the foot.
I felt sick and dizzy. I crawled toward a stand of oak saplings and leaned against one to steady myself. There was a confused noise of shouting nearby, which reminded me of the sounds I had heard, and felt, in the stone circle. The ring of inhuman violence was lacking, though; this was the normal sound of human conflict, and I turned toward it.
3
THE MAN IN THE WOOD
The men were some distance away when I saw them. Two or three, dressed in kilts, running like the dickens across a small clearing. There was a far-off banging noise that I rather dazedly identified as gunshots.
I was quite sure I was still hallucinating when the sound of shots was followed by the appearance of five or six men dressed in red coats and knee breeches, waving muskets. I blinked and stared. I moved my hand before my face and held up two fingers. I saw two fingers, all present and correct. No blurring of vision. I sniffed the air cautiously. The pungent odor of trees in spring and a faint whiff of clover from a clump near my feet. No olfactory delusions.
I felt my head. No soreness anywhere. Concussion unlikely then. Pulse a little fast, but steady.
The sound of distant yelling changed abruptly. There was a thunder of hooves, and several horses came charging in my direction, kilted Scots atop them, yodeling in Gaelic. I dodged out of the way with an agility that seemed to prove I had not been physically damaged, whatever my mental state.
And then it came to me, as one of the redcoats, knocked flat by a fleeing Scot, rose and shook his fist theatrically after the horses. Of course. A film! I shook my head at my own slowness. They were shooting a costume drama of some sort, that was all. One of those Bonnie-Prince-in-the-heather sorts of things, no doubt.
Well. Regardless of artistic merit, the film crew wouldn’t thank me for introducing a note of historic inauthenticity into their shots. I doubled back into the wood, meaning to make a wide circle around the clearing and come out on the road where I had left the car. The going was more difficult than I had expected, though. The wood was a young one, and dense with underbrush that snagged my clothes. I had to go carefully through the spindly saplings, disentangling my skirts from the brambles as I went.
Had he been a snake, I would have stepped on him. He stood so quietly among the saplings as almost to have been one of them, and I did not see him until a hand shot out and gripped me by the arm.
Its companion clapped over my mouth as I was dragged
Similar Books
