Read Online The Novels of Gillian Flynn by Gillian Flynn - Free Book Online
Authors: Gillian Flynn
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air.
“Yeah. I used to be. I don’t live here anymore. I’m visiting.” I tried again: “Does James live around here?”
“You in high school?” His face was deeply tanned. He looked like a baby Marine.
“No.”
“College?” His chin was wet with spit.
“Older.”
“I got to go.” He hopped away backward, yanked the ball out of the fence like a bad tooth, turned around and looked at me again, waggled his hips in a nervous dance. “I got to go.” He threw the ball toward the street, where it bounced off my car with an impressive thunk. He ran after it and was gone.
I looked up
Capisi, Janel,
in a magazine-thin phone book at Wind Gap’s lone FaStop. Then I filled a Big Mouth with strawberry pop and drove to 3617 Holmes.
The Capisi home sat on the edge of the low-rent section to the far east of town, a cluster of broken-down, two-bedroom houses, most of whose inhabitants work at the nearby pig factory-farm, a private operation that delivers almost 2 percent of the country’s pork. Find a poor person in Wind Gap, and they’ll almost always tell you they work at the farm, and so did their old man. On the breeding side, there are piglets to be clipped and crated, sows to be impregnated and penned, manure pits to be managed. The killing side’s worse. Some employees load the pigs, forcing them down the gangway, where stunners await. Others grab the back legs, fasten the catch around them, release the animal to be lifted, squealing and kicking, upside down. They cut the throats with pointy slaughter knives, the blood spattering thick as paint onto the tile floors. Then on to the scalding tank. The constant screams—frantic, metallic squeals—drive most of the workers to wear earplugs, and they spend their days in a soundless rage. At night they drink and play music, loud. The local bar, Heelah’s, serves nothing pork related, only chicken tenders, which are, presumably, processed by equally furious factory workers in some other crappy town.
For the sake of full disclosure, I should add that my mother owns the whole operation and receives approximately $1.2 million in profits from it annually. She lets other people run it.
A tomcat was yowling on the Capisis’ front porch, and as I walked toward the house, I could hear the din of a daytime talk show. I banged on the screen door and waited. The cat rubbed up against my legs; I could feel its ribs through my pants. I banged again, and the TV switched off. The cat stalked under the porch swing and cried. I traced the word
yelp
on my right palm with a fingernail and knocked again.
“Mom?” A child’s voice at the open window.
I walked over, and through the dust of the screen could see a thin boy with dark curls and gaping eyes.
“Hi there, I’m sorry to bug you. Are you James?”
“What do you want?”
“Hi James, I’m sorry to bother you. Were you watching something good?”
“Are you the police?”
“I’m trying to help figure out who hurt your friend. Can I talk to you?”
He didn’t leave, just traced a finger along the window ledge. I sat down on the swing at the far end away from him.
“My name’s Camille. A friend of yours told me what you’d seen. A boy with real short blonde hair?”
“Dee.”
“Is that his name? I saw him at the park, the same park where you were playing with Natalie.”
“She took her. No one believes me. I’m not scared. I just need to stay in the house is all. My mom has cancer. She’s sick.”
“That’s what Dee said. I don’t blame you. I hope I didn’t scare you, coming by like this.” He began scraping an overlong fingernail down the screen. The clicking sound made my ears itch.
“You don’t look like her. If you looked like her, I’d call the police. Or I’d shoot you.”
“What did she look like?”
He shrugged his shoulders. “I’ve said it already. A hundred times.”
“One more time.”
“She was old.”
“Old like me?”
“Old like a mother.”
“What
“Yeah. I used to be. I don’t live here anymore. I’m visiting.” I tried again: “Does James live around here?”
“You in high school?” His face was deeply tanned. He looked like a baby Marine.
“No.”
“College?” His chin was wet with spit.
“Older.”
“I got to go.” He hopped away backward, yanked the ball out of the fence like a bad tooth, turned around and looked at me again, waggled his hips in a nervous dance. “I got to go.” He threw the ball toward the street, where it bounced off my car with an impressive thunk. He ran after it and was gone.
I looked up
Capisi, Janel,
in a magazine-thin phone book at Wind Gap’s lone FaStop. Then I filled a Big Mouth with strawberry pop and drove to 3617 Holmes.
The Capisi home sat on the edge of the low-rent section to the far east of town, a cluster of broken-down, two-bedroom houses, most of whose inhabitants work at the nearby pig factory-farm, a private operation that delivers almost 2 percent of the country’s pork. Find a poor person in Wind Gap, and they’ll almost always tell you they work at the farm, and so did their old man. On the breeding side, there are piglets to be clipped and crated, sows to be impregnated and penned, manure pits to be managed. The killing side’s worse. Some employees load the pigs, forcing them down the gangway, where stunners await. Others grab the back legs, fasten the catch around them, release the animal to be lifted, squealing and kicking, upside down. They cut the throats with pointy slaughter knives, the blood spattering thick as paint onto the tile floors. Then on to the scalding tank. The constant screams—frantic, metallic squeals—drive most of the workers to wear earplugs, and they spend their days in a soundless rage. At night they drink and play music, loud. The local bar, Heelah’s, serves nothing pork related, only chicken tenders, which are, presumably, processed by equally furious factory workers in some other crappy town.
For the sake of full disclosure, I should add that my mother owns the whole operation and receives approximately $1.2 million in profits from it annually. She lets other people run it.
A tomcat was yowling on the Capisis’ front porch, and as I walked toward the house, I could hear the din of a daytime talk show. I banged on the screen door and waited. The cat rubbed up against my legs; I could feel its ribs through my pants. I banged again, and the TV switched off. The cat stalked under the porch swing and cried. I traced the word
yelp
on my right palm with a fingernail and knocked again.
“Mom?” A child’s voice at the open window.
I walked over, and through the dust of the screen could see a thin boy with dark curls and gaping eyes.
“Hi there, I’m sorry to bug you. Are you James?”
“What do you want?”
“Hi James, I’m sorry to bother you. Were you watching something good?”
“Are you the police?”
“I’m trying to help figure out who hurt your friend. Can I talk to you?”
He didn’t leave, just traced a finger along the window ledge. I sat down on the swing at the far end away from him.
“My name’s Camille. A friend of yours told me what you’d seen. A boy with real short blonde hair?”
“Dee.”
“Is that his name? I saw him at the park, the same park where you were playing with Natalie.”
“She took her. No one believes me. I’m not scared. I just need to stay in the house is all. My mom has cancer. She’s sick.”
“That’s what Dee said. I don’t blame you. I hope I didn’t scare you, coming by like this.” He began scraping an overlong fingernail down the screen. The clicking sound made my ears itch.
“You don’t look like her. If you looked like her, I’d call the police. Or I’d shoot you.”
“What did she look like?”
He shrugged his shoulders. “I’ve said it already. A hundred times.”
“One more time.”
“She was old.”
“Old like me?”
“Old like a mother.”
“What
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