The Night at the Crossroads

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Authors: Georges Simenon
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to the phone: Quai des Orfèvres was on the line.
    â€˜Detective Chief Inspector Maigret? … We have just this moment received a call from Jeumont … The car has been found there, abandoned across from the train station. We assume that the driver preferred to cross the border
on foot or by train.’
    Maigret hung up only for an instant, then asked for the offices of Dumas and Son. He was informed that Carl Andersen had still not shown up to collect his two thousand francs.
    When Maigret and Lucas walked past the garage at around three o’clock, Monsieur Oscar popped out from behind a car to ask brightly, ‘How’s it going, chief inspector?’
    Maigret merely waved at him and continued on to the Three Widows house.
    The doors and windows of the Michonnet Villa were shut but, yet again, the policemen noticed the dining-room curtains twitching.
    The garage owner’s cheerfulness seemed once more to
have aggravated the ill humour of the inspector, who was puffing furiously on his pipe.
    â€˜Now that Andersen has made a run for it—’ began Lucas quietly.
    â€˜Stay here!’
    The inspector entered the grounds and house of the Three Widows property just as he had that morning. In the drawing room he sniffed the air, looked quickly around and noticed wisps of smoke hovering in the corners of the room, which smelled
strongly of freshly smoked tobacco.
    Without even thinking about it he grasped the butt of the revolver in his pocket before going upstairs, where he could hear phonograph music and recognized the tango he had played that morning.
    The music was coming from Else’s room. When he knocked, it ceased immediately.
    â€˜Who’s there?’
    â€˜The inspector.’
    A short laugh.
    â€˜In that case, you know what to do. I can’t let you in …’
    The passkey did its job again. The young woman was wearing the same clinging black dress as the day before.
    â€˜Are you the one who has kept my brother from coming home?’
    â€˜No. I have not seen him since early this morning.’
    â€˜Then they must not have had his payment ready at Dumas. Sometimes he has to go back there in the afternoon …’
    â€˜Your brother has tried to cross the border into Belgium. As far as I know, he has succeeded.’
    She stared at him in astonishment – and some disbelief.
    â€˜Carl?’
    â€˜Yes.’
    â€˜This is some kind of test, isn’t it?’
    â€˜Can you drive?’
    â€˜Drive what?’
    â€˜A car.’
    â€˜No! My brother has never been willing to teach me.’
    Maigret had not taken the pipe from his mouth and was still wearing his hat.
    â€˜Have you left this room?’
    â€˜Me?’
    She laughed. A merry, musical laugh. And more than ever, she was wreathed in what American movies portray as sex appeal.
    For a woman can be lovely without being alluring, while other, less classically beautiful women unfailingly inspire desire or sentimental feelings.
    Else aroused both: she was at once woman and child, creating her own aura of voluptuous attraction. And yet, whoever looked into her eyes was astonished to find her gaze as limpid as a little girl’s.
    â€˜I don’t understand what you mean …’
    â€˜Someone has been smoking downstairs in the drawing room within the last half-hour.’
    â€˜But who?’
    â€˜That’s what I’m asking you.’
    â€˜And how do you expect me to know that?’
    â€˜This morning, that phonograph was downstairs.’
    â€˜Impossible! … How could that … Wait, inspector! I
hope you don’t suspect me of anything! You seem different, strange … Where is Carl?’
    â€˜I’m telling you, he has left the country.’
    â€˜That’s not true! It can’t be! Why would he do that? Besides, he would never leave me alone here! … That’s crazy! What would happen to me,

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