finally, at exactly 1:50, we were free.
We didnât waste any time. We grabbed the bags weâd packed with our extra clothes, raced across this little park to the tube station, hopped on the next train, and ended up at the entrance to the National Gallery at 2:19. Weâd probably set a new speed record.
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We were feeling really good about this until we walked into the museum. Thatâs where the problems started.
First a guard stopped us and wouldnât let us in with our backpacks. They want everybody to leave their big bags in the cloakroom before they go in to see the paintings.
Iâd never thought of that, and I thought this meant we were completely meeped. But leave it to Lucas. She said, âWeâre here to take a class. I think we came in the wrong door. You can lookâall we have in our bags is clothes. Itâs a class in fashion drawing.â She gestured with her head to where I was standing. âIâm going to draw her in some different outfits, and sheâs going to draw me.â
I held my breath. But the guard said, âIâll take a look, if you donât mind.â
He opened both bags, dug around, and finally came up with the expensive digital camera Lucasâs parents had given her for the trip. âNo cameras.â
Lucas and I looked at each other. We were going to use it to take pictures of Gallery Guy and whatever he was doing. There went our entire plan.
The guard must have thought we were upset because we didnât know what to do with our camera while we were in class. âYou can still go in,â he said. âPut your clothing in one of your bags and Iâll let you take that one in. But youâll have to put the camera in the other bag and leave it in the cloakroom.â
âOkay.â Lucas sounded as discouraged as I felt.
âYou know where youâre going when youâre done checking your bag?â
We nodded.
âNext time, use the education entrance around the other side. More convenient for you.â
âI canât believe you got by with that,â I said when we left the guard. âHow did you know theyâd be giving classes in fashion drawing?â
âI didnât.â Lucas flopped her backpack onto an empty bench and sat down next to it. âI just figured the guards are in a different department from education, and they probably wouldnât know anything about the classes. Basically we lucked out.â Nerves of steel, I tell you.
âWhat are we going to do without the camera?â She looked at me and I looked at her. For once she didnât have a suggestion.
I sighed. âI guess weâll think of something.â
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Eventually we got to the deserted womenâs room practically just downstairs from the Rembrandt room. There wasnât much counter space, so we piled our stuff in one of the sinks. âHow different do you think I look?â Lucas said. We were excited again, and this was maybe the seventeenth time one of us had said this.
The day before, when weâd first visited the Rembrandt room, Lucas and I had both been wearing jeans and long-sleeved T-shirts. Lucas had been wearing her glassesâsurprise, surpriseâand had her hair up in a scrunchy. Sheâd looked fourteen. Now, in her dress, her contacts, and all the makeup, I thought she looked eighteen, at least. Maybe even twenty.
âYou know, the good thing about that dress,â I said, not actually answering her question, because Iâd already answered it a bunch of times that day, âis that it makes you look all feminine and, uh . . .â
âKind of harmless, you mean.â
âRight. Now if you can just keep your eyes closed, so Gallery Guy doesnât see that youâre really a lion inside.â
âJust call me Simba. Rrrraaah .â
âSimba needs some blush.â
âI think I look way younger than you,â Lucas said while
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