right?â
âYep. I do.â
âDo you know why?â
âNo. I donât think I know. It feels good.â
âCan you imagine not playing it?â
âNo!â It came out surprisingly loud.
Deirdre nodded her head. âThen youâre stuck with it, arenât you?â
âI guess so. I guess I am.â
She looked at me for quite a while with her intense eyes. âAllegra, hereâs something about doing musicâor painting a picture or anything. When youâre doing it, you have to remember everything youâve ever learned, and simultaneously forget all of it and do something totally new.â She was silent for a while more. âBecause if you do the first part and not the second, youâre making music or art just like everybody elseâs. Itâs not your own.â
I was asking myself silently if I could ever do that, remember and forget at the same time.
âWhen I lived in Boston, I used to watch the Celtics a lot. They do the same exact thingâwhen theyâre at their best. Itâs the same with your Trail Blazers in Portland. You watch one of those beautiful shots go exploding down through the basket and thatâs whatâs going on. That guy has in his memory every basket heâs ever shotâand at the same instant heâs making up a new one. The divine inspiration of the NBA.â
âDeirdre, I never heard anybody say that before.â
âWell, thatâs the way it is.â
âIs that what you do?â
âYes, thatâs part of it. When Iâm at my best.â
I imagined her bent over throwing up. âAnd you still throw up?â
âSure. Thatâs why, in fact. Or thatâs part of it. Iâm afraid I wonât be able to get that simultaneity.â She clenched and unclenched both her hands on the lap of her white nightgown. âThere are all kinds of static just waiting up there,â she pointed to her head, âto sabotage things.â
I reached for the clipboard. âHow do you spell those?â
âWhat? âSabotageâ?â She spelled it for me. âIt means âto ruin completely.â You have to learn new words for school, or for yourself?â
âWell, both, I guess. A list for school, but Iâll need them anyway. And simultanââ
She spelled âsimultaneity.â I wrote them down.
âYou could wear a raincoat,â I said. âFor throwing up.â
She was stretching her arms again. âThatâs exactly what I do.â
âGood,â I said. âWhatâs this violinist like, this boy?â
âOh, Steve? I donât know. When he was a little kid, he was darling. He had a sixteenth-size violin. Curly hair and huge eyes. Long eyelashes. And Lego blocks. He built the most amazing things, he mustâve been three years old. Big towers. He had phenomenal concentration.â I was watching Deirdre take her long, dangly earrings out of her ears. They tinkled when she had them both out and was holding them in her hand. âHeâll probably end up being your boyfriend, Allegra.â
âI donât think so. You said heâs old.â
âOh, not so old. Probably about Bro Davidâs age, I should think. Thatâs not old. I can tell you lots about old.â She got up and went over to a photograph of Ernest Bloch. Itâs kind of low on the wall, and you have to bend over to look at it. I kept not telling her about the Bloch Competition.
I heard a clinking of metal on wood. Two clinkings. She knelt down, her balloony nightgown spreading kind of like a white swan around her.
âI dropped an earring.â She was bending over Daddyâs cello, which heâd left out of the case, lying on its side. âI canât find it. Turn on the light, will you?â she said.
I got up and turned it on. It was too bright; my eyes hurt. She was feeling around. Then she took hold of
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