This is terrible.â
I hunched up on my left elbow and bunched up the pillows. âDo you get nervous when you sing?â I asked her.
âDo I get nervous?â She didnât say anything for about a minute. âAllegra, I throw up before I go onstage.â
âDeirdre, thatâs awful,â I said.
âI know. It is awful. The first thing I find when Iâm singing anyplace new is the bathroom. Thatâs more important than where the stage is or whoâs accompanying me or anything else. Itâs ghastly.â
âBut once you get started singing itâs all right?â
âYes. It gets all right. I could take a beta blocker, but I donât like drugs.â
âWhatâs a beta blocker?â
âItâs a drug. It slows your heart, makes it less excitable. It helps keep you steady. Great for stage fright. Juilliard kids take them all the time. They walk in and play their hearts out. Itâs crazy.â
âIt doesnât sound crazy to me.â I was thinking about the competition, of course. I didnât know there was a drug for stage fright.
âOh, I know somebody who hallucinated when she took it. Very good flutist. She won a prize and she saw donkeys in the auditorium. I donât think itâs a very good trade-off.â
She got up and walked over to the photograph of Einstein as an old man playing the violin. He has that white hair you always see in pictures of him. She hummed around the photographs of Fritz Kreisler, Pablo Casals, and the other musicians on the wall. She walked over to the French doors and looked out. âYour roses are wonderful. Do you know that?â
âYep,â I said. I thought of the dancing man, without any roses. We probably have more than our share.
She walked back to the chair and sat down. She almost didnât make any noise when she moved. âWhat are the big things in your life these days, Allegra?â she said. âNow that schoolâs out and everything.â
I moved a little bit and pushed the pillows around and sat up straighter. I didnât say anything. I hadnât told anybody in person, except my parents and Bro David, about the competition. Iâd told Sarah and Jessica by postcard.
She hit her forehead with her fist. âOhâI completely forgot. This guy your mommy and I used to know is coming here. Itâs a guy we knew at school. In fact, heâs already here. Teaching at some college. Or university. Heâs a biologist. Heâs got a son, a violinist. Older than you. I havenât seen the kid since he was tiny. I heard about him in Aspen, though; heâs supposed to be very good. Somebody who knows somebody who knows him told me. I wrote it all down on an envelope. Heâll probably turn up in your orchestraâwhatâs it called?â
âThe Portland Youth Orchestra,â I said.
âHeâll probably turn up here. Do you like playing in it?â she asked.
âSure. I like it a lot.â
âAre you the youngest?â
âNo. There are a couple of really little kids.â
âBut youâre one of the youngest?â
âI guess so. Yep. I am. You know what somebody did once?â
âWhat?â She took a big swig of milk.
âThis guy, heâs a cellist, he had the repeat section memorized, and he didnât turn the page back, so the girl playing on the outside just went ahead and didnât play the repeat. It was only in rehearsal, but still.â
Deirdre laughed, just a little bit. âThatâs a very dirty trick, Allegra.â
âI know it. He got in trouble for it.â
âWhat kind of trouble?â
âHe didnât get to play the whole next concert. Not even rehearsals. He was kicked out for the whole time. Three months.â
She was laughing again. âGood for him, he deserved it. I get the impression you really love the violin, Allegra. Am I
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