The Mozart Conspiracy
jewel case. She opened it. It was the Lalique Art Nouveau brooch she’d admired in the antique-shop window in Vienna the week before. It was exquisite. Gold, inlaid with diamonds and sapphires. There was a note inside, neatly folded. She opened it.
    It was from him. ‘Wear this tonight ,’ it read.
    Eve closed the jewel case and tossed it away across the bed. She lay down as the darkness closed over her.
    Slowly, she brought the Black Widow revolver up until she could feel the coldness of its muzzle against her temple. She closed her eyes and listened to the snick-snack of its oiled action as she thumbed back the little hammer. Just a flick of a finger and she could be free of the whole thing.
    Her fingers relaxed around the gun and she let out a long breath.
    She couldn’t do it.
    No escape.

Chapter Eleven
    Oxfordshire
    The TVR Tuscan skidded out of the drive and Ben accelerated hard away from Langton Hall. He didn’t know where he was going. Traffic was thin on the country roads and he drove fast for six miles, keeping the revs high and the gears low, constantly checking the mirrors. He saw nothing.
    He pulled up in a lay-by and turned off the engine. Leigh was sitting quietly beside him, ashen-faced. ‘Are you all right?’ he asked. He twisted round and grabbed his haversack from behind the seat. There was still some whisky in his flask. ‘I know you don’t like this stuff very much,’ he said, trying to smile. ‘But it’ll take the edge off.’
    Leigh took a sip of the whisky and winced at the burn on her lips. She coughed. ‘Thanks.’ She screwed the cap of the flask back on and handed it back to him.
    He finished what was left. ‘What are you doing?’ he asked as she took out her phone.
    ‘Calling the police.’
    He grabbed the phone from her before she could finish dialling 999. ‘I don’t think that’s a good idea,’ he said.
    ‘Why?’
    ‘Until last night nobody knew where we were. Then you told the police where to find us, and the next thing we have company.’
    ‘What are you saying?’
    ‘I’m saying I don’t like coincidences,’ he replied. ‘And there’s also the slight problem of three dead men lying in your house, Leigh. I killed them, and you’re an accomplice. I’m not sticking around to be arrested.’ He took the file out of the bag and showed her. ‘This is what they were looking for,’ he said. The spots of blood on the label were turning russety-brown.
    ‘The Mozart letter? Oliver’s work? But…’ She looked at him helplessly. ‘Why would anyone want—’
    ‘I think it’s time we had a look at this stuff,’ he said. He pushed the haversack to his feet with a dull metallic clunk from the guns inside, and rested the box-file on his lap against the steering wheel. He popped the catch and opened the lid of the file.
    ‘What happened?’ Leigh gasped. ‘They’re all burnt.’
    The small padded envelope fell out and landed in the foot-well. Ben ignored it and sifted carefully through the rest of the file’s contents, trying not to damage the brittle papers any further.
    Some of the documents had been handwritten, some computer-printed. Many were barely legible any longer, just singed fragments showing names, dates, and scraps of what looked like historical information. Here and there he could make out the name Mozart.
    Leigh reached across and lifted out a badly singed sheet. It crumbled into pieces as she lifted it up. ‘This was Oliver’s writing,’ she said, biting her lip. ‘One of the notes he sent me during his travels.’
    ‘They’re ruined,’ Ben muttered. He laid the fragments back inside the file and closed the lid. He turned to her. ‘So what’s this about, Leigh? What did they want with Oliver’s stuff?’
    ‘How should I know?’
    ‘I don’t understand,’ he said. ‘You told me last night you’d had the notes for months. Now all of a sudden someone’s very interested in them. Why? What was in here? And how would they know you even

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