sure.â
âThen you are making a mistake,â says Dad pointing his finger at me. âA woman without children is not complete.â He pushes his cup away in disgust. âGet my lunch,â he says and Mum goes to the kitchen while Dad takes up his spot in front of the TV.
âSiena doesnât have children,â I say to Via.
âAnd look how that turned out. Your father is right. Becoming a mother is the greatest thing a woman can do. Now stop being stupid and get dressed. Siena is waiting.â
âI am dressed,â I say and Via looks me up and down in disbelief.
âWell at least brush your hair.â
âI am dressed and I am brushed,â I say, and I fold my hands against my chest to show her I am not budging.
âAre you afraid of looking attractive?â
âI look fine,â I say, though itâs hard to keep up the bravado.
âYou look like a, like a...â She pinches at the air as though the description she is looking for could be found there, then gives up. She swipes her hand under her chin to let me know sheâs done with me.
Mum comes back from the kitchen. She ruffles my hair, pinches my face firmly between her thumb and index finger. âBeautiful,â she says and kisses me on the head.
âLunch is in the oven!â Mum shouts to Dad over the blaring TV and a single raised finger tells us that he has heard.
Via and Mum rush out the door, exchanging details of what they are planning to make for their husbandsâ dinners. I pause for a moment, still pissed off about no one taking me seriously. Have they even heard of womenâs liberation? I think when that wave went by they must have been eating gelato at the seaside kiosk.
âIâll show you,â I say, loud enough only to be heard by a nearby cow figurine. âIâm going to show you all.â Then I hear Via start the car and I run out as fast as I can before they leave without me.
It takes an hour to get to the house that isnât Sienaâs house anymore, mainly because no one knows where we are going. Via and Mum argue the entire time about which way to go, and I am sure that we have probably been circling Sienaâs house for ages. Itâs been a while since any of us have come this way, and before that our visits were infrequent. Of course, it occurs to neither of them to look at a street map, and I know better than to suggest it.
âThese houses all look the same,â says Via.
âSo big,â says Mum straining to get a good look at the two-storey mansions that flank the street. âSo much to clean. â
âThese people donât clean, Sofia. They have servants.â
âDid Siena have servants?â I ask.
âShe must have,â says Mum. âIf thatâs what everyone does around here.â
âIs that the house?â says Via, pointing to a two-storey, peach coloured mansion. âI donât remember it being that colour,â says Mum helplessly.
âWhat are those corkscrews?â I say, referring to four dementedly shaped conifers. âSiena wouldnât do that to a tree.â
âOh wait a minute, itâs this one,â says Via, and then swings the car into the kerb so quickly that I slam against the door. She has pulled up beside a large âFor Saleâ sign which blocks Mumâs view of the house.
Mum ducks and stretches to try and see around it. âAre you sure?â
But Via has already unhitched herself and is getting out of the car. âThis is it,â she says, hands on hips and confident.
We stand together at the mouth of the long path that cuts through a perfectly manicured lawn to the house that could be Sienaâs. I have a nutty vision of us linking arms and skipping down the path like in The Wizard of Oz. Weâre off to see the lost aunt, the wonderful lost aunt of Oz.
âIâll wait here,â I say, worried that we have the wrong
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