felt in the ocean last night, that had drawn Violetta out of bed and made him gasp. No, this was not caused by any natural phenomenon. There is poison seeping into the world. Somewhere, there is a crack, a break in the order of things.
The eerie energy lingers, but Raffaele has no way of explaining it to those who cannot sense it. His eyes stay fixed on the water. He hasnât slept, having spent the night at his writing desk, poring through what papers he still kept from his recordings, trying to solve the puzzle.
Lucent looks like she is trying hard not to show the ache in her bones. âWell, some of the villagers are saying there are reports of a similar event along the Domaccan shoreline.â She finds a comfortable spot amongst the rocks and sits down. âSounds like itâs not just concentrated here.â
Raffaele leaves Lucentâs side and heads down to the edge of the water. He pushes back his sleeve and dips a canteen into the surf, letting it fill. The touch of the ocean makes his stomach churn just as much as it had the night of the storm. When the canteen is full, Raffaele hurries out of the water to shake off its poisonous touch.
âYouâre pale as a Beldish boy,â Michel exclaims as Raffaele passes him.
Raffaele holds the canteen with both hands and starts making his way back toward the palace. âIâll be in my chambers,â he replies.
When he returns to his quarters, he pours the contents of the canteen into a clear glass, then sets it on his desk so that it is drenched in light from the window. He opens the deskâs drawers and removes a series of gemstones. These are the same gemstones he once used to test the other Daggers, that he had used on Enzo and Lucent, Michel and Gemma. On Violetta. On Adelina.
Raffaele lays the gems in a careful circle around the glass of ocean water. Then he steps back and observes the scene. He reaches out with threads of his energy, searching for a clue, coaxing the stones.
At first, nothing happens.
Then, slowly,
very
slowly, several of the gems begin to glow from within, lit by something other than the sunlight. Raffaele pulls on the energy strings as he would when testing a new Elite, his brow furrowed in concentration. Colors blink in and out of existence. The air shimmers.
Nightstone. Amber. Moonstone.
Raffaele stares at the three glowing stones. Nightstone, for the angel of Fear. Amber, for the angel of Fury. Moonstone, for Holy Moritas herself.
Whatever presence Raffaele felt in the ocean, it is this. The touch of the Underworld, the immortal energy of the goddess of Death and her daughters. Raffaeleâs frown deepens as he walks over to the desk and peers at the water in the glass. It is clear, shining with light, but behind that is the ghost of Death herself. It is no wonder that the energy feels so
wrong
, so out of place.
The Underworld is seeping into the living world.
Raffaele shakes his head. How can that be? The godsâ realm does not touch the world of mankindâimmortality has no place in the mortal realm. The only connection the godsâ magic has to the living world is through gemstones, the sole, lingering remnants of where the godsâ hands had touched the world as they created it.
And the Young Elites,
Raffaele adds to himself, his heartbeat quickening.
And our own godlike powers.
Even as he stands there, turning the mystery over and over in his mind, he finds himself looking in the direction of Enzoâs chambers, where the ghost of his prince still lingers after having been pulled up from the Underworld.
After having been
torn
from the Underworld.
A Young Elite, ripped from the immortal realm and dragged to the mortal.
Raffaeleâs eyes widen. Queen Maeveâs gift, Tristanâs resurrection, Enzoâs . . . could it have caused all this?
He goes to his trunks and pulls out several books, stacking them in a precarious pile on his desk. His breathing has turned
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