The Mask of Apollo

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Authors: Mary Renault
with relief (or else with disappointment) it came to me what was happening. Mikon had been warned; he was paying out softly, letting me down on stage.
    One moment, it seemed, I was dangling from death’s forefinger; the next my feet touched ground. It was over. The silence broke then. Here I was right downstage, with nobody to unhitch me, and they expected me to stand there taking bows. I got my hand back and slipped the ring, and made some kind of exit. My last line was about flying back to high Olympos. I had just enough sense left to cut it. With a keyed-up audience, it would have been the very thing for a laugh.
    By now it seemed I had been up there by myself for days. It was quite strange to have everyone grabbing me backstage and asking me how I felt. “Later,” I said. “Just let me change.”
    Anaxis rushed up to me, his boyish Patroklos mask shoved back, his beard and eyebrows staring; he had gone quite pale. He pushed a wine cup at me, but after one swallow I put it by; I was afraid of throwing up. “Can you go on?” he asked. “Would you like Anthemion to stand in for you?” I pulled my face straight just in time. “No, thank you. In the name of the gods, get out on stage; nobody’s there.”
    My dresser unharnessed me, and strapped on my panoply for Achilles, clucking and chattering. Mikon came running, the frayed rope in his hands, waving it about. “Later,” I said.
    Achilles has a good while to sit sulking before he consents to speak, which would give me a rest; but when he does break silence, he has to be worth hearing. My blood was still stirred up, I felt ready for anything; I remember thinking, “This is just how one feels when acting badly.” However, when I got to the lines where he chooses glory before length of days, suddenly a burst of applause broke out and stopped the play. I had never thought of that; I think it was the nearest I got to losing my lines.
    At last it was over. The noise seemed to last forever. Even after I went to change, I could have taken another call; but of a sudden I felt hollow as an emptied wineskin, sick, and deathly tired. Even the applause seemed empty; it would have been the same for some juggler who had jumped through a ring of knives. I thought with loathing of my performance, which I was sure had been ham all through. Stupidly I stood while my dresser stripped me, trying to be civil to the people who had come behind. Presently Mikon brought his rope again, and showed it round.
    “I checked it overnight, every foot.” He pushed it under the noses of two sponsors, who had come behind to complain. “Look here, at the cunning of it. The strands were opened, and a hot iron laid inside. With filing it would have frayed, and I’d have seen it as I ran it out. This was done in the night. That drunken loafer, the painter’s man—I’m told that he was seen here.”
    Hagnon said, “I saw him, round about midnight. I thought nothing but that he’d picked up some odd job. Well, I hope they find him. The young men were off on the mountain trails; they reckoned he might have gone up there, to watch it work.”
    “Maybe.” I could not feel concerned. Nearby was the bier of the dead Patroklos; I pushed off the dummy corpse, glad of something to sit on.
    Krantor said, “Where’s that wine jar?” He poured, and held out a cup to me. I would have swallowed anything; but the rich Samian fragrance told me this must be the best in Delphi. It ran through me like new warm blood.
    Anthemion tittered. “It’s a gift from some admirer in the audience. It came round before the end of the last chorus; the message just said, ‘To honor the protagonist.’ But you’ll be hearing his name, I’m sure.”
    I put it down. “You fool! Someone’s just tried to break my neck; and now you give me wine from you don’t know who.” I wondered if I ought to take an emetic. It seemed less trouble to die.
    “No, no, Niko.” Old Krantor patted my shoulder. “Drink it up, my boy,

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