forming of a federation under his brother, the Greek overlord Agamemnon, to enforce her return. War followed when Troy refused.
Taking sides and playing favorites, potent but fickle, conjuring deceptive images, altering the fortunes of battle to suit their desires, whispering, tricking, falsifying, even inducing the Greeks through deceit to continue when they are ready to give up and go home, the gods keep the combatants engaged while heroes die and homelands suffer. Poseidon, ruler of the sea, who, with Apollo, was said to have built Troy and its walls, has turned against the Trojans because their first king failed to pay him for his work and further because they have stoned to death a priest of his cult for failure to offer sacrifices necessary to arouse the waves against the Greek invasion. Apollo, on the other hand, still favors Troy as its traditional protector, the more so because Agamemnon has angered him by seizing the daughter of a priest of Apollo for his bed. Athena, busiest and most influential of all, is unforgivingly anti-Trojan and pro-Greek because of Paris’ original offense. Zeus, ruler of Olympus, is not a strong partisan, and when appealed to by one or another of his extended family, is capable of exercising his influence on either side.
In rage and despair, Troy mourns the death of Hector, slain by Achilles, who brutally drags his corpse by the heels three times around the walls in the dust of his chariot wheels. The Greeks are no better off. The angry Achilles, their champion fighter, shot in his vulnerable heel by Paris with a poisoned arrow, dies. His armor, to be conferred on the most deserving of the Greeks, is awarded to Odysseus, the wisest, instead of to Ajax, the most valorous, whereupon Ajax, maddened by insulted pride, kills himself. His companions’ spirits fail and many of the Greek host counsel departure, but Athena puts a stop to that. On her advice, Odysseus proposes a last effort to take Troy by a stratagem—the building of a wooden horse large enough to hold twenty or fifty (or in some versions, as many as three hundred) armed men concealed inside. His plan is for the rest of the army to pretend to sail for home while in fact hiding their ships offshore behind the island of Tenedos. The Wooden Horse will carry an inscription dedicating it to Athenaas the Greeks’ offering in the hope of her aid in ensuring their safe return home. The figure is intended to excite the veneration of the Trojans, to whom the horse is a sacred animal and who may well be moved to conduct it to their own temple of Athena within the city. If so, the sacred veil said to surround and protect the city will be torn apart, the concealed Greeks will emerge, open the gates to their fellows, summoned by signal, and seize their final opportunity.
In obedience to Athena, who appears to one Epeius in a dream with orders to build the Horse, the “thing of guile” is completed in three days, aided by the goddess’ “divine art.” Odysseus persuades the rather reluctant leaders and bravest soldiers to enter by rope ladder during the night and take their places “halfway between victory and death.”
At dawn, Trojan scouts discover that the siege is lifted and the enemy gone, leaving only the strange and awesome figure at their gates. Priam and his council come out to examine it and fall into anxious and divided discussion. Taking the inscription at face value, Thymoetes, one of the elders, recommends bringing the Horse to Athena’s temple in the citadel. “Knowing better,” Capys, another of the elders, objects, saying Athena had for too long favored the Greeks, and Troy would be well advised either to burn the pretended offering at once or break it open with brazen axes to see what the belly contains. Here was the feasible alternative.
Hesitant, yet fearful of desecrating Athena’s property, Priam decides in favor of bringing the Horse into the city, although the walls must be breached or, in another
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