families. People whose ancestors knew him, hid him on their ranches. Iâm hoping you can put me in touch with folks like that.â
Father John sipped at his own coffee for a moment. His parishioners were still flowing around the table, leaving a space between the director and themselves. âHave you talked to Arapahos?â
âWe got nowhere. Oh, theyâre very polite. Didnât tell us to back off or go away. Smiled, said theyâd check with a few people who might know someone and get back to us. I know the old skiddoo when I see it. No sense in riling us up by saying you donât know anybody and if you did, you wouldnât be telling us. Just smile and smile. Works every time. Left us hoping every day that the next day weâd get an interview with somebody who had stories about Butch.â
âI can make some inquiries.â
âAh!â Paxton threw up both hands. âI wish I had a dollar for all the times Iâve heard that.â
âThereâs a white woman from an old family in the area. I can see if sheâd be willing to talk to you. Do you have a card?â
âWhite?â Todd Paxton fumbled in his jeansâ side pocket, withdrew a small metal envelope, and extracted a card that he pushed across the table. âI was hoping youâd suggest some Arapahos.â
There were probably a lot of Arapahos with stories, Father John was thinking. Families that had straggled onto the rez with Chief Black Coal and Chief Sharpnose after the Arapahos had been hunted across the plains with nowhere to go, no more lands to call their own. The government had sent them to the Shoshones. They had asked Chief Washakie if they could come under his tent, and the Shoshone chief had taken pity. That was in 1878. Fifteen years later, Butch Cassidy had ridden into the area.
âIâll check around.â He slipped Paxtonâs card into his shirt pocket and got to his feet.
The director had already stood up and was pushing the chair into the table. He glanced toward the door, as if he were plotting a path across the plains. âIâd appreciate it.â
Father John watched the man weave through his parishioners and step outside, a dark figure against the sunlight. Then he started through the crowd, visiting, exchanging polite pleasantries. He stopped at the table where Elsa Lone Bear was sitting, pulled a vacant chair over with his boot, and sat down a little behind her left shoulder. She turned toward him. âThat white man the film director?â
âHis name is Todd Paxton.â
âWhatâs he doing here?â Elsa was in her twenties, part of the younger generation, teaching fifth grade and trying to find a way between the past and the present.
âAt the mission?â
âNo. What are they trying to prove? Butch Cassidy was a long time ago. Times have changed.â
âThe landscape doesnât change much.â He was thinking that Butch Cassidy had seen the same mountains, the same rivers, the same prairie stretching into an almost always blue and cloudless sky.
âThe people donât like a lot of attention, you know.â
He nodded. He had come to realize that Arapahos liked to be the observers.
âWould it be all right to stop by later to see Eldon?â
âOh, Grandfather would like that. Hasnât gotten out much lately. Heâs been having trouble with his ghost leg. The one that burns like fire even though he lost it in that automobile accident twenty years ago. The doctor says the nerves still think the leg is there, so they keep sending out pain signals.â
âThe past has a way of hanging around.â
âDo we ever get free?â
âIs that what you would like?â
She turned her head and stared out over the hall. The crowd was smaller now. The plates of doughnuts gone. Coffee smells turning musky and stale.
âSometimes I think . . .â She hesitated. âNot
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