began another piece, this one slow and sonorous. He kept his head half bent, his strong face still as he focused on the keys. His thigh moved as he worked the pedal, his entire body playing the music.
Beth recognized the piece as a piano concerto by Beethoven, one the tutor Mrs. Barrington had hired for Beth had liked. Beth had been a mediocre player, her hands too work-worn and stiff to learn the skill. The tutor had been haughty and mocking of her, but at least he’d never beaten her.
Ian’s large fingers skimmed the keyboard, and slow notes filled the room, the sound rich and round. Ian might claim he couldn’t find the music’s soul, but the strains of it called too vividly to mind the dark days Beth had suffered after her mother’s death. She remembered sitting in a corner in the hospital ward, her arms around her knees, watching as her mother’s consumption stole her last breaths. Her beautiful mother, always so frail and frightened, who’d clung to Beth for strength, was now ripped from the life that had terrified her. The hospital had turned Beth out after they laid her mother in a pauper’s grave. Beth had not wanted to return to the parish workhouse, but her feet had taken her there. She’d known she had nowhere else to go. They at least had given her a job, since she could speak well and had a modicum of manners. She’d taught younger children and tried to comfort herself by comforting them, but all too often they fled the workhouse to return to the more lucrative life of crime.
It was only the in-between people like Beth who were trapped. She didn’t want to resort to selling her body to survive, feeling nothing but disgust for men who could lust after fifteen-year-old girls. Nor could she find respectable employment as, a governess or nanny. She had little education, and middle-class women didn’t want someone from a Bethnal Green workhouse taking care of their precious tots. She’d finally persuaded one of the parish women to find her a typing machine. The woman had eventually produced a third-hand one whose B and Y keys stuck, and Beth had practiced and practiced on it. When she got a little older, she reasoned, she could hire herself out as a typist. Perhaps people wouldn’t mind her background as long as she worked quickly and efficiently. Or she might write little stories or articles and try to persuade newspapers to buy them. She had no idea how this was done, but it was worth a try.
And then one day, while she was pounding away at the machine, the new vicar of the parish came to call. Beth had been soundly cursing the B key, and Thomas Ackerley had looked at her and laughed.
A tear rolled swiftly down her cheek. She put a quick hand on Ian’s, and the piece stumbled to a halt. “You don’t like it,” he said, his voice flat.
“I do—only, could you play something a little happier?” Ian’s gaze skimmed past her like a beam of sunlight. “I don’t know whether a piece is happy or sad. I just know the notes.”
Beth’s throat squeezed. If she wasn’t careful, she’d start blubbering all over him. She whirled to the music cabinet and dug through sheets until she found something that made her smile.
“How about this?” She brought it back to the piano and spread the music across the stand.
“Mrs. Barrington hated the opera—she couldn’t understand why anyone wanted to listen to people bellow for hours in a foreign tongue. But she loved Gilbert and Sullivan. They at least speak plain English.” Beth opened the music to the ditty that had made Mrs. Barrington laugh the most. She’d made Beth learn it and play it over and over. Beth had tired of the bouncy rhythms and the absurd words, but now she was grateful to Mrs. Barrington’s tastes.
Ian looked at the paper without changing expression. “I can’t read music.”
Beth had leaned over him without thinking, and now the rosette at her bosom was level with his nose. “No?”
Ian studied the rosette, his eyes
Tanya Thompson
Mike Maden
h p mallory
Aidan Moher
Kathi S. Barton
Peter Turnbull
Jon A. Jackson
Mary Eason
Karina L. Fabian
William Diehl