The Lost Weekend

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Authors: Charles Jackson
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reckless but safe, always safe, detecting with its sensitive wings the slightest stir of air against the obstacle or tiny danger in its path. Such a creature was he, no more heroic, skirting traps of thread, landing always safely at home at the end of his reckless little tour, with nothing to fear but this unreasonable unshakable remorse—remorse for having done nothing worse than to go out at all. Such self-reproach, without foundation, would be inexplicable to another. A friend could learn all the details of the night before, if he could remember and tell them, and think nothing of it—be surprised, even, at his groundless concern. Only he himself knew the significance of that guilt. It had recurred too many times to be meaningless.
    He knew the question was not: Why had he deliberately missed the appointment with his brother, why had he done what he did yesterday, why was he in this fix now; but: Why did he
ever
do it, why was he
always
doing it over and over again, why was he forever fetching up at just such an impasse as this, just such despair, depression, remorse? The remorse was the key to his despair, as it probably was to his salvation, should he ever be able to take hold of that key and use it. If he wanted to drink himself to death it was nobody’s affair but his own; his life was
his
life to throw away, if that’s what he wanted; but—was that what he wanted? If so, why did he suffer remorse? Obviously there was the will in him to destroy himself; part of him was bent on self-destruction—he’d be the last to deny it. But obviously, too, part was not; part held back and expressed its disapproval in remorse and shame. Why hadn’t the foolish psychiatrist ever been able to get hold of
that
part, done something with it, made something of it, brought it into full being till it topped and outweighed theother? But the foolish psychiatrist knew so much less about it than the poet, the poet who said to another doctor,
Canst thou not minister to a mind diseased.… Raze out the written troubles of the brain?
, the poet who answered,
Therein the patient must minister to himself.…
    The windows were lighter now, the blue was white, it was morning. With a sinking heart he realized that the day was to start out like the dreaded Sunday after all. He was in for at least two hours of this, two more hours of waiting for the bar or the liquor store to open; for remorse or no, he meant to go on with it, the thing was in him now and must be finished, Wick was away for the long weekend, he’d be alone till Tuesday, he’d have his long weekend, here. A golden opportunity to go on his tear without interference, provided Helen didn’t catch up with him or intercept him, provided he kept out of people’s way, kept to himself and avoided seeing anyone he knew. For six days—for five more—he could move through the city at will, as he often had in the past, going here and there about the town like a ghost, unknown, unnoticed, like a man moving in a kind of time-out. A solo flight (flight indeed), unheeded by anyone because no one knew who he was (whoever stopped the anonymous drunk?); a flight that would last just long enough, for in his present weakened condition he knew that six days would be about the limit of his endurance. No three-week bender this time, ending up in Chicago, Philadelphia, the Fall River boat, a filthy room in a 9th Avenue hotel—God knows where. Tuesday morning Wick would be back and he’d be ready to call it quits by then. Wick wouldn’t return before: he knew too well what he’d be coming back to, he knew he couldn’t stop what had started, it was best to stay away and let the thing play itself out, pretending in the meanwhile that nothing was going on in the city or at least shutting it from his mind entirely. By deliberately not thinking of it Wick had learned not even to worry: if he worried, he would begin by worrying about fires, about whom Don might be havingin the apartment, about the loss

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