The Lost Child

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Authors: Ann Troup
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she was now she had never quite grasped what birds and bees had to with it and why no one had told her at sixteen that babies didn’t come by stork. They came by fear, pain and shame. She didn’t want to dwell on that, there were some rocks that were better never turned, and what crawled beneath that one didn’t bear thinking about.
    The pain of Peter’s rejection had never left her but had become a familiar ache. Sometimes it was almost comforting, an indication that she had once been loved. Esther had said that she did what she did as an act of love, that truth was love. Miriam had never quite believed it. Esther’s idea of love had always been such a strident thing and too black and white for the real world. Miriam had often wondered if Esther’s sensibilities were founded more in jealousy and possession than in love.
    Esther could never have married; she would have seen the expectation of intimacy, the mutual need, as an affront. Even now, trapped in her dysfunctional body, she resented need. Miriam could see it and feel it, coming off her sister in waves of discontent. Esther had always done the right thing, as she saw it, and was bitter that God had seen fit to reward her by incarcerating her in a flesh and bone prison. She had never said that, but it was what Miriam saw every time she looked into Esther’s eyes – fear and resentment.
    When she looked back, Miriam was sure that’s what had made Esther send Peter away, that and an over-entitled sense of morality. Fear that she would have to relinquish control over her sister in favour of a man, and resentment that she would never have a similar choice. Miriam had enduring faith in the premise that the mills of God would grind slow, but they would grind sure. There was no room for bitterness, only duty. Miriam’s duty to care for her sister was a cold dish, served with every bit of sisterly love she could muster. It was Miriam’s pleasure to offer her care, and Esther’s detestation to receive it.
    *
    At six o’clock Elaine heard a noise outside the door, a slight shuffling as if someone was hovering and hesitating. Knowing it couldn’t be Brodie or Miriam – who would both have just knocked and walked in – she waited a moment, reluctant to open the door to someone unknown. When she was certain that no one was lurking, she opened the door and discovered to her revulsion that her stealthy visitor had left a dead rabbit on her doorstep. Had Jean’s ashes not accompanied the corpse she would have felt deeply afraid. An anonymous gift of carrion was hardly likely to be a good thing, but the presence of the urn reassured her that this was Derry’s idea of a favour.
    ‘The gift of death’ she said aloud as she put Jean on a shelf in the porch.
    Using a carrier bag turned inside out as a glove, she bent to retrieve the rabbit. Her lip curled at the feel of its cold flesh through the plastic and with a shudder of revulsion she picked it up. Holding it before her, the bag swinging from the very tips of her fingers, she walked over to Miriam’s cottage and knocked on the kitchen door. Miriam struck her as a woman who would know exactly what to do with the thing.
    *
    Miriam seemed pleased with the donation, even offering to demonstrate how the animal could be skinned and prepared for cooking. An offer which Elaine emphatically declined on the grounds that it would be knowledge that she would never use. She much preferred to receive her meat already butchered into nice, neat anonymous chunks. While Miriam busied herself hanging the rabbit in the shed ready for the next day, Elaine was left alone in the quiet, cluttered kitchen.
    It was a room that told its history in the paraphernalia which it held. Copper jelly moulds adorned the walls and heavy pans hung on butcher’s hooks from a rickety laundry rack suspended from the ceiling by a system of ropes and pulleys.
    Miriam had left her sitting at a scrubbed pine table from which a faint tang of carbolic soap rose

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