driving too fast in the darkness of empty shopping districts and areas of cheap lodgings with doorways and windows black except for one window, seven or eight streets ahead of them, in which a single light would be burning. And each time this unidentified black shabby van went round a corner he felt the horse—his horse—thump against one metal side or the other. Each time the faint sound and feel of the thumping made him sick.
“Hencher. I think you had better leave me off at the flat.”
Then trying to breathe, trying to explain, trying to argue with Hencher in the speeding overheated cab and twisting, seeing the fluted dark nostril at a little hole behind the driver’s head. Until Hencher smiled his broad worried smile and in a loud voice said: “Oh well, Mr. Banks is a married man,” speaking to Cowles, the jockey, the stableboy, nudging Cowles in the ribs. “And you must always make allowance for a married man. …”
Cowles yawned, and, as best he could, rubbed his great coatsleeves still wet from the spray. “Leave him off, Hencher, if he gives us a gander at the wife.”
The flat door is open and the cat sleeps. Just inside the door, posted on a straight chair, market bag at her feet and the cat at her feet, sitting with the coat wrapped round her shoulders and the felt hat still on her head: there she waits, waits up for him. The neighbor on thechair next to her is sleeping—like the cat—and the mouth is half-open with the breath hissing through, and the eyes are buried under curls. But her own eyes are level, the lids red, the face smooth and white and soft as soap. Waiting up for him.
Without moving, without taking her eyes from the door: “Where’s Michael off to? Where’s my Michael gone?” she asks the cat. Then down the outer hall, in the dark of the one lamp burning, she hears the click of the house key, the sound of the loose floor board, and she thinks to raise a hand and dry her cheek. With the same hand she touches her neighbor’s arm.
“It’s all right, Mrs. Stickley,” she whispers, “he’s home now.”
The engine is boiling over when the van reaches Highland Green. Water flows down the dented black hood, the grille, and a jet of steam bursting up from the radiator scalds the wings of the tiny silver figure of the man which, in attitude of pursuit, flies from the silver cap. Directly before the machine and in the light of the headlamps Hencher stands shielding his face from the steam. Then moves quickly, throws his belly against the hot grille, catches the winged figure in a rag and gives it a twist.
“Come along, cock, we haven’t got all the bleeding night,” says Cowles.
It is dark in Highland Green, dark in this public stable which lies so close to the tanks and towers of the gasworks that a man, if he wished, might call out to theold watchman there. Dark at 3 A.M. and quiet; no one tends the stables at night and only a few spiritless horses for hire are drowsing in a few of the endless stalls. Hardly used now, dead at night, with stray dogs and little starved birds making use of the stalls, and weeds choking the yard. Refuse fills the well, there is a dry petrol pump near a loft building intended for hay.
Hencher steps out of the headlamp’s beam, drops the radiator cap, throws the rag to the ground, soothes his hand with his lips. “You needn’t tell me to hurry, Cowles,” he says, and kicks the tiny winged man away from him into the dead potash and weeds.
Hencher hears the whistles then—two long, a short— and all at once straightens his cap, gives a last word to Cowles: “Leave the animal in the van until I return. And no noise now, mind you. …” From beneath the musty seat in the cab he takes a long torch and walks quickly across the rutted yard. Behind him the jockey is puffing on a fresh cigarette, the stableboy—thinking of a girl he once saw bare to the flesh—is resting his head against a side of the van, and Cowles in the dark is frowning and
“Hencher. I think you had better leave me off at the flat.”
Then trying to breathe, trying to explain, trying to argue with Hencher in the speeding overheated cab and twisting, seeing the fluted dark nostril at a little hole behind the driver’s head. Until Hencher smiled his broad worried smile and in a loud voice said: “Oh well, Mr. Banks is a married man,” speaking to Cowles, the jockey, the stableboy, nudging Cowles in the ribs. “And you must always make allowance for a married man. …”
Cowles yawned, and, as best he could, rubbed his great coatsleeves still wet from the spray. “Leave him off, Hencher, if he gives us a gander at the wife.”
The flat door is open and the cat sleeps. Just inside the door, posted on a straight chair, market bag at her feet and the cat at her feet, sitting with the coat wrapped round her shoulders and the felt hat still on her head: there she waits, waits up for him. The neighbor on thechair next to her is sleeping—like the cat—and the mouth is half-open with the breath hissing through, and the eyes are buried under curls. But her own eyes are level, the lids red, the face smooth and white and soft as soap. Waiting up for him.
Without moving, without taking her eyes from the door: “Where’s Michael off to? Where’s my Michael gone?” she asks the cat. Then down the outer hall, in the dark of the one lamp burning, she hears the click of the house key, the sound of the loose floor board, and she thinks to raise a hand and dry her cheek. With the same hand she touches her neighbor’s arm.
“It’s all right, Mrs. Stickley,” she whispers, “he’s home now.”
The engine is boiling over when the van reaches Highland Green. Water flows down the dented black hood, the grille, and a jet of steam bursting up from the radiator scalds the wings of the tiny silver figure of the man which, in attitude of pursuit, flies from the silver cap. Directly before the machine and in the light of the headlamps Hencher stands shielding his face from the steam. Then moves quickly, throws his belly against the hot grille, catches the winged figure in a rag and gives it a twist.
“Come along, cock, we haven’t got all the bleeding night,” says Cowles.
It is dark in Highland Green, dark in this public stable which lies so close to the tanks and towers of the gasworks that a man, if he wished, might call out to theold watchman there. Dark at 3 A.M. and quiet; no one tends the stables at night and only a few spiritless horses for hire are drowsing in a few of the endless stalls. Hardly used now, dead at night, with stray dogs and little starved birds making use of the stalls, and weeds choking the yard. Refuse fills the well, there is a dry petrol pump near a loft building intended for hay.
Hencher steps out of the headlamp’s beam, drops the radiator cap, throws the rag to the ground, soothes his hand with his lips. “You needn’t tell me to hurry, Cowles,” he says, and kicks the tiny winged man away from him into the dead potash and weeds.
Hencher hears the whistles then—two long, a short— and all at once straightens his cap, gives a last word to Cowles: “Leave the animal in the van until I return. And no noise now, mind you. …” From beneath the musty seat in the cab he takes a long torch and walks quickly across the rutted yard. Behind him the jockey is puffing on a fresh cigarette, the stableboy—thinking of a girl he once saw bare to the flesh—is resting his head against a side of the van, and Cowles in the dark is frowning and
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