The Labyrinth of Dreaming Books

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Authors: Walter Moers
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‘aerial library’ is a misleading description. ‘That part of the building in which a valuable library is housed can, in the event of fire, be cranked into the air by means of a cable mechanism which, despite its complexity, even a child could operate with the aid of a simple flywheel. The precious volumes are thus so far from the ground that even the most disastrous conflagration cannot reach them. The stilts are made of fireproof steel.”’
    The gnome held up another strip of paper.
    ‘“Aerial Libraries – Bookholm’s Latest Fashion!”’
    he read. ‘“Houses on stilts are the latest architectural fad in our city – but only, of course, for people who can afford them, because those who acquire a crankable library must have deep pockets! This is why architect SULIBAR UHU, who specialises in this form of construction, has a clientele currently restricted to wealthy book collectors, successful authors and big-time publishers. It’s said that Uhu has just been commissioned to design aerial libraries for the popular cookbook author GLUTTONIUS GLOD (‘Fine Dining on Labyrinthine Algae’ – ‘Dishes that Glow in the Dark’) and his agent and publisher COUNT MAXIMILIAN PELTRADO. Whether these fireproof buildings actually enhance the appearance of our city is another matter. Neighbours complain that the owners of aerial libraries crank them into the air at every opportunity, even when there’s no risk of fire, and thereby obstruct their view – purely to show off.”’
    ‘Thanks, that’ll do,’ I called over my shoulder. ‘I get the picture.’
    My Live Historical Newspaper stowed his article away as we continued to stroll along the street. I noticed that the dwarf seemed to be imitating the way I walked. He was following me like a little shadow – like a shrunken caricature of myself. If I walked slowly, he slowed down too. If I speeded up, so did he. Eagerly, I looked around for some other sights to question him about, because this business was beginning to amuse me. Being unable to discern any particularly noteworthy building at that moment, however, I asked my guide about something else that had aroused my curiosity.
    ‘Why have all these books been used as building materials? One building in five seems put together partly out of books. How can that work? They’re only paper and cardboard and a bit of leather at most.’
    The gnome came to a halt, raised one hand and rummaged in his chaotic archives with the other. Then he brought out a piece of paper.
    ‘“Immense Deposit of Petrified Books Discovered in the Optimus Yarnspinner Shaft!”’
    he cried.
    I was surprised for three reasons. First, because these books consisted of stone. Second, because there appeared to be another of these mysterious ‘shafts’ in Bookholm. And finally because I was naturally amazed that one of them bore
my
name.
    ‘What?’ I broke in. ‘You mean there’s a—’
    The gnome stopped short. ‘Me read on?’ he asked. ‘Or another question?’
    ‘No, no,’ I said. He was right. First things first. ‘Read on by all means!’
    He cleared his throat. ‘“City Hall announced yesterday that a copious deposit of fossilised books had been discovered during clearing-up operations in the Optimus Yarnspinner Shaft. Ancient tomes of immense age and hitherto unknown provenance, they are presumed to have been exposed to a rare petrological process that has also been observed in trees and whole forests.
    ‘“PROFESSOR FERRUGINUS SCREE, a geologist at Bookholm University, explained this phenomenon to your correspondent as follows: ‘When books are embedded in mud by subterranean floods, the natural process of decay can be considerably slowed by the removal of oxygen. If silicic acid seeps in through the groundwater, quartz deposits itself in the books’ cavities. This, when combined with exposure to great pressure, can result in the formation of quartz books resembling marble or similar minerals in texture and

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