Read Online The Knight and Knave of Swords by Fritz Leiber - Free Book Online Page B
Authors: Fritz Leiber
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anywhere, upon his lungs.
It began, of course, with his evading of Ississi's initial loving and murderous lunge at him, and his moving past her to the chest she had just quitted. Then, as she turned back to assault him a second time (all jaws now, arms merged into her silver-scaled sides and her crested legs merged, but eyes still great and green), and as he, in turn, turned to oppose her, he was inspired to grab up with both hands from the chest the topmost fabric and, letting it unfold sequentially and spread as he did so, whirl it between him and her in a great lustrous, baffling coppery sheet, or pale rosy-orange cloud. And she was indeed distracted from her main purpose by this timely interposition, although her silvery jaws came through it more than once, shredding and shearing and altogether making sorry work of Cif's intended cloak or dress of state or treasurer's robes, or whatever.
Then, as the Mouser completed his whirling turn, he found himself confronting the in-rushing silver-crested Mordroog, and to hold him off snatched up and whirlingly interposed the next rich silken fabric in the chest, which happened to be a violet one, his reluctant gift for Afreyt, so now it became a great pale purple cloud-wall soon slashed to lavender streaks and streamers, through which Mordroog's silver and jaw-snapping visage showed like a monstrous moon.
This maneuver brought the Mouser back in turn to face Ississi, who was closing in again through coppery shreds, and this attack was in turn thwarted by the extensive billowing-out of a sheet of bold scarlet silk, which he had meant to present to the capable whore-turned-fisherwoman Hilsa, but now was as effectively reduced to scraps and tatters as any incarnadined sunset is by conquering night.
And so it went, each charming or at least clever fabric gift in turn sacrificed—brassy yellow satin for Hilsa's comrade Rill, a rich brown worked with gold for Fafhrd, lovely sea-green and salmon-pink sheets (also for Cif), a sky-blue one (still another for Afreyt—to appease Fafhrd), a royal purple one for Pshawri (in honor of his first lieutenancy), and even one for Groniger (soberest black)—but each sheet successively defeating a dire attack by silvery sea demon or demoness, until the cabin had been filled with a most expensive sort of confetti and the bottom of the chest had been reached.
But by then, mercifully, the demonic attacks had begun to lessen in speed and fury, grow weaker and weaker, until they were but surly and almost aimless switchings-about (even floppings-about, like those of fish dying), while ( most mercifully—almost miraculously) the dreadful suffocating pressure, instead of increasing or even holding steady, had started to fall off, to lessen, and now was continuing to do so, more and more swiftly.
What had happened was that when Seahawk had slid into the hole left by leviathan, the lead in her keel (which made her seaworthy) had tended to drag her down still farther, abetted by the mass of her great cargo, especially the bronze ingots and copper sheetings in it. But on the other hand, the greater part of her cargo by far consisted of items that were lighter than water —the long stack of dry, well-seasoned timber, the tight barrels of flour, and the woolen sacks of grain, all of these additionally having considerable amounts of air trapped in them (the timber by virtue of the tarred canvas sheathing it, the grain because of the greasy raw wool of the sacks, so they acted as so many floats). So long as these items were above the water they tended to press the ship more deeply into it, but once they were underwater, their effect was to drag Seahawk upward, toward the surface.
Now under ordinary conditions of stowage—safe, adequate stowage, even—all these items might well have broken loose and floated up to the surface individually, the timber stack emerging like a great disintegrating raft, the sacks bobbing up like so many balloons, while Seahawk
It began, of course, with his evading of Ississi's initial loving and murderous lunge at him, and his moving past her to the chest she had just quitted. Then, as she turned back to assault him a second time (all jaws now, arms merged into her silver-scaled sides and her crested legs merged, but eyes still great and green), and as he, in turn, turned to oppose her, he was inspired to grab up with both hands from the chest the topmost fabric and, letting it unfold sequentially and spread as he did so, whirl it between him and her in a great lustrous, baffling coppery sheet, or pale rosy-orange cloud. And she was indeed distracted from her main purpose by this timely interposition, although her silvery jaws came through it more than once, shredding and shearing and altogether making sorry work of Cif's intended cloak or dress of state or treasurer's robes, or whatever.
Then, as the Mouser completed his whirling turn, he found himself confronting the in-rushing silver-crested Mordroog, and to hold him off snatched up and whirlingly interposed the next rich silken fabric in the chest, which happened to be a violet one, his reluctant gift for Afreyt, so now it became a great pale purple cloud-wall soon slashed to lavender streaks and streamers, through which Mordroog's silver and jaw-snapping visage showed like a monstrous moon.
This maneuver brought the Mouser back in turn to face Ississi, who was closing in again through coppery shreds, and this attack was in turn thwarted by the extensive billowing-out of a sheet of bold scarlet silk, which he had meant to present to the capable whore-turned-fisherwoman Hilsa, but now was as effectively reduced to scraps and tatters as any incarnadined sunset is by conquering night.
And so it went, each charming or at least clever fabric gift in turn sacrificed—brassy yellow satin for Hilsa's comrade Rill, a rich brown worked with gold for Fafhrd, lovely sea-green and salmon-pink sheets (also for Cif), a sky-blue one (still another for Afreyt—to appease Fafhrd), a royal purple one for Pshawri (in honor of his first lieutenancy), and even one for Groniger (soberest black)—but each sheet successively defeating a dire attack by silvery sea demon or demoness, until the cabin had been filled with a most expensive sort of confetti and the bottom of the chest had been reached.
But by then, mercifully, the demonic attacks had begun to lessen in speed and fury, grow weaker and weaker, until they were but surly and almost aimless switchings-about (even floppings-about, like those of fish dying), while ( most mercifully—almost miraculously) the dreadful suffocating pressure, instead of increasing or even holding steady, had started to fall off, to lessen, and now was continuing to do so, more and more swiftly.
What had happened was that when Seahawk had slid into the hole left by leviathan, the lead in her keel (which made her seaworthy) had tended to drag her down still farther, abetted by the mass of her great cargo, especially the bronze ingots and copper sheetings in it. But on the other hand, the greater part of her cargo by far consisted of items that were lighter than water —the long stack of dry, well-seasoned timber, the tight barrels of flour, and the woolen sacks of grain, all of these additionally having considerable amounts of air trapped in them (the timber by virtue of the tarred canvas sheathing it, the grain because of the greasy raw wool of the sacks, so they acted as so many floats). So long as these items were above the water they tended to press the ship more deeply into it, but once they were underwater, their effect was to drag Seahawk upward, toward the surface.
Now under ordinary conditions of stowage—safe, adequate stowage, even—all these items might well have broken loose and floated up to the surface individually, the timber stack emerging like a great disintegrating raft, the sacks bobbing up like so many balloons, while Seahawk
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