her. Then through the curtained hatchway there swam a face like her own new one, and she came up from the coppery silk in a great forward undulation and reached the palms of her back-crested hands out toward the Mouser's cheeks lovingly on arms that seemed to grow longer and longer, saying in a strange deep voice that seemed to bubble from her, "In moments this prison will be broken, Deep Rusher will smash it, and we will be free."
At those words the other part of the Mouser realized that the darkness through which he was now coursing upward was the deep sea, that he was engulfed in the whale-body and great-foreheaded brain of Deep Rusher, her monster, that it was the tiny hull of Seahawk far above him that his massive forehead was aimed at, and that he could no more evade that collision than his other self in the cabin could avoid the arms of Ississi.
12
In the treasury Cif could not bear the woeful expression with which the blank linen face of the doll appeared to gaze out at her from under the jammed-down golden helmet, nor the sudden thought that the sea demoness had recently fondled all that gold hemming in the doll. She grabbed it up with its prison, withdrew it from the barred globe and snatched off its helmet, and while the ikons chinked down on the table she clutched the stuffed cloth to her bosom and bent her lips to it and cherished and kissed it, breathing it words of endearment.
13
In the cabin the Mouser was able to dodge aside from those questing silvery spined hands, which went past him, while in the dark realm his giant self was able to veer aside from Seahawk 's hull at the last moment and burst out of the darkness, so that his two selves were one again and both back in the cabin—which now lurched as though Seahawk were capsizing.
On deck all gaped, flinching, as a black shape thicker than Seahawk burst resoundingly from the dark water beside them, so close the ship's hull shook and they might have reached out and touched the monster. The shape erected itself like a windowless tower built all of streaming black boot leather, down which sheets of water cascaded. It shot up higher and higher, dragging their gazes skyward, then it narrowed and with a sweep of its great flukes left the water altogether, and for a long moment they watched the dark dripping underbelly of black leviathan pass over Seahawk, vast as a storm cloud, lacking lightning perhaps but not thunder, as he breached entire from the ocean. But then they were all snatching for handholds as Seahawk lurched down violently sideways, as though trying to shake them from her back. At least there was no shortage of lashings to grab onto as she slid with the collapsing waters into the great chasm left by Leviathan. There came the numbing shock of that same beast smiting the sea beyond them as he returned to his element. Then salt ocean closed over them as they sank down, down, and down.
Afterward the Mouser could never determine how much of what next happened in the cabin transpired underwater and how much in a great bubble of air constrained by that other element so that it became more akin to it. (No question, he was wholly underwater toward the end.) There was a somewhat slow or, rather, measured dreamlike quality to all subsequent movements there—his, the transformed Ississi's, and the creature he took to be her brother—as if they were made against great pressures. It had elements both of a savage struggle—a fierce, life-and-death fight—and of a ceremonial dance with beasts. Certainly his position during it was always in the center, beside or a little above the open chest of fabrics, and certainly the transformed Ississi and her brother circled him like sharks and darted in alternately to attack, their narrow jaws gaping to show razorlike teeth and closing like great scissors snipping. And always there was that sense of steadily increasing pressure, though not now within his skull particularly, but over his entire body and centering, if
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