The Killing Edge
an adult; she made her own choices. But she loved her uncle, and she didn’t know if she could stand up to him if he insisted she get out of there.
    “Actually, that’s what I called you about, and why I had to call so early, before you got a chance to talk to anyone.”
    “Oh?” She smiled, sinking back into her pillow. The tables were turning.
    “You heard what I said when I dropped you back at the mansion last night, right?” he asked.
    “Yes, I heard what you said. Don’t tell anyone Luke Cane’s real name or his real identity. Whatever I do, don’t jeopardize his position. I heard you. You said it three times,” she told him.
    “Yes, and I meant don’t tell anyone. Not even Victoria.”
    “But I’m going to be asking Victoria to help me—to watch and listen—it’s only fair to tell her the truth. I mean, let’s get serious, how long is anyone going to believe that ‘Jack Smith’ is a designer?” Chloe demanded.
    Stuckey chuckled. “He’s got some help. He’ll pull it off.You’ll be surprised. Chloe, I’m asking you this because it’s important. Promise me you won’t say anything?”
    “I promise.”
    “Good. See ya soon,” Stuckey said, and hung up.
    Chloe replaced the phone and crawled out of bed, then walked over to the drapes and threw them open so she could look out at the pool. Her bedroom was on the second floor of what had once been a carriage house, and she could see the sparkling water and casual rattan furniture that surrounded it. She could see the main house where Uncle Leo lived as well, with its red-clay tile roof, balconies and two turrets. The house had been built in the 1910s and was one of the oldest in the area. Her great-great-grandfather had purchased the land and drawn up the plans for the house. Once the family had owned twenty acres. Then ten. Now they had one acre remaining, with Bayshore Drive and civilization right around the corner. But the area was still overgrown and wild in old-Florida fashion; oaks dripped moss, and bougainvillea grew everywhere in a riot of color.
    Chloe knew she was welcome in the main house anytime; Leo had always told her that it was hers more so than it would ever be his. She had grown up in the main house, and when she had finished college, she had contemplated the idea of getting an apartment with Victoria, but they’d both remained traumatized by the past, no matter how far they had come. Uncle Leo had come up with the solution: refurbishing the old carriage house so Chloe would have her privacy but still feel safe, and Uncle Leo wouldn’t spend his life worried about her.
    The arrangement had worked out well. She carried emotional scars, a few wounds that might never fully heal, but her uncle had helped her find a purpose and enjoyment in life.
    He had always been her rock.
    The two of them were the only family they had left. Chloe didn’t remember her parents at all; she had been two when they died in a bizarre train explosion that had taken out almost twenty cars and their occupants. She had grown up with Leo, and he had been a good parental figure. He was with the district attorney’s office, a position he could afford to hold because he had family money and the insurance from the accident. On top of that, he was brilliant with stocks, no matter what the economy was doing, so they had never needed to worry about paying the bills.
    She felt a moment’s unease, hoping that Stuckey wasn’t already calling him, warning him that Chloe was getting herself too involved with the Colleen Rodriguez disappearance. No, Stuckey wasn’t a tattletale. And even while he was telling her to keep her nose out of things, she knew he also realized that she was in a perfect position to obtain information the police might never discover themselves. Like so many Miami-Dade officers, he had been touched by the desperation of Colleen’s family, and he had been on a task force assigned to search the area from Florida City to the Broward County

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