The Illumination

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Authors: Kevin Brockmeier
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wipe the stains from each other’s lips with their thumbs, and she would make a happy little upsy-daisy noise as he carried her upstairs to bed.
    Instead, he brought the journal home, took it into the living room, and set it on his lap. His fingers flipped backward from the endpapers, watching as the pages filled with her handwriting. He had no need to leave the Post-it note inside, since she had already written it down. There it was in her own precise script, facing him one more time, the last sentence on a half-empty page,
I love the spaghetti patterns you leave on the wall
, ending with that oddly turned period of hers, like a toppled
v
or a bird’s beak.
    One morning, some six weeks after the accident, his editor woke him from a sound sleep to ask if he knew when he would be returning to work. “I realize you’re going through a rough patch, Jason. Grieving—check. Convalescing—check. I get it, I’m with you, I understand. By all means, you should take as much time as you need. But I’m telling you, you’re missing out on some of the greatest shots of your life right now. Have you seen the stuff Dawes has been producing? Or Laskowski? Even Christman gave us a front-pager yesterday! Christman for Jesus’ sake! I’m telling you, this Illumination thing is really big. Don’t just sit there in that house of yours and turn to stone on us. I can’t believe that’s what she would want, Patricia.”
    He felt like the priest of some ancient blood religion, incensed to hear her name spoken out loud. “How do
you
know what she would want? Maybe this is
exactly
what she would want.”
    “You don’t mean that.”
    From down the block came the mosquito-like drone of someone operating a lawn mower. Mysteriously, his anger evaporated.“I don’t, you’re right. Tell you what, Paul—I’ll try to have some images for you by the end of the week, okay?”
    “Sounds good. Whenever you’re ready. No pressure from me on this end. Take all the time you need.”
    Jason snapped the phone shut and went to the mirror, where he stripped off his pajamas and embarked on his customary preshower ritual, stretching his limbs and tensing his muscles to see how much light they gave off. His eye and his cheek had healed completely, as had his shoulder and his hip, his gums and incisors. One of his ribs still shone with a filmy incandescence, and a new abrasion on his elbow, tacky from scraping against the supermarket meat freezer, glittered like the mica in the sidewalk. Since his discharge from the hospital, he had been dining mainly on microwave dinners and cheap delivered pizza—salty, greasy foods that upset his digestion—and when he turned too forcefully to the side, he could see a pair of bright rectal fissures opening up behind him. Then there was the scar on his abdomen, a small red fold tattooed with a pucker of blue ink. The wound still wept with light occasionally, but only if he distended his belly. It was his knee that continued to worry him, maintaining a constant twilight glow that was run through by cruel white flares whenever he took it out of its brace, sank his weight onto it, or attempted to rotate it laterally. In short, he was still recuperating from the accident. The pain was not as bad as before, though, and he thought he could risk a walk through the neighborhood.
    After he had showered and eaten breakfast, he got his camera and set off on his crutches. He wanted to see what images the world would present to him, whether his eye had been altered by sorrow, whether he had any skill left, any talent, and that was how he came to meet the cutters.
    He had spent the morning framing the pictures he saw in hislens, capturing them one by one—although he hated that word,
capture;
hated its suggestion that with a camera you could seize any sight that presented itself to you, stuff it in a cage, and point to it as it jammed its nose through the bars. Better to say that he preserved them, then. He preserved the sight

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