riding in on some kind of magnificent beast, no doubtâmaybe a flying stritch with flaming wings, why not? Bet-Nef was tossed into the lake, his terrible armies were driven from Caldaras forever, and Dal Roet himself gave each evil redwing one thousand lashes. From that day forward, one of the ways you could supposedly tell a redwing from a human was by the thousand red scars on his back. Is the story true? I donât know. But the scars are real.
Born with scars. Isnât that a kick in the pantaloons, as Jey would say.
I stare, transfixed by my own ugliness. My scars donât hurt, but lately they are intensifying, their color becoming more vibrant. Is it because I am getting older? Or because the Deep Dark is approaching? There is no one I can ask.
I donât think there are actually a thousand scars there, but my neck is stiff from angling to look in the mirror. Once again, I give up before I can count them all.
The face of the handsome lawn-cutter, Zahi, flashes through my mind. A human girl could have let him know with her uncovered eyes that she liked his uncombed hair and rust-colored waistcoat, could have smiled, flirted.
But who am I trying to fool? I was unsupervised in the city for only two days, and on the first I almost killed two men. Two priests. Priests!
âSoup, soup, soup, soup!â comes an off-key song from below. It pulls me out of my daydreams, and I descend to find Jey attacking some horrible tomatoes with a kitchen knife and singing all the while. The tomatoes from our house garden stare up at me from their basket like the tiny heads of sick old people, grumpy and brownish.
She looks up, her knife clattering to the floor. âI think Iâm getting the hang of cutting tomatoes!â
âExcellent.â I retrieve the knife and rinse it off in the sink.
The door opens and Papa stumps in, carrying the scent of the gardens with him. âMmm. Soup!â Jey beams. Papa looks at me. âAnd how was your day, my girl?â He places his work boots on the grass mat by the door.
âFine,â I say, avoiding his eyes. He is already shuffling by me to change into his evening clothes, his metal leg clacking across the floor. On the way, he pats my head with a big warm hand.
I open the spice cupboard and pull out a few precious glass jars, then examine the little pots of herbs on the windowsill.
âDoes this look right?â Jey holds up her dripping knife. Liquid of a suspicious color glints in the slanted light that pokes through our lace curtains. She tips the cutting board, and bits of tomato ooze into a big pot.
âTheyâre ⦠different,â I say.
âTheyâre a little icky.â She sighs. âItâs the poison air. It gets in the soil.â And sheâs right, of course. It is much more difficult to raise plants in the open air of Caldaras City than in a greenhouse. âWhat we ought to do,â she says, âis throw out the whole bunch of them.â
Papa shuffles back into the kitchen in his comfortable old linen shirt, its smooth fibers a last remnant of the farm Jey and I donât remember. âThrow out what? What are we throwing out?â
We both know itâs hopeless. Not because we canât afford to waste a few disgusting vegetables now and again, but becauseâ
âThe salt miners in Drush would love to have those tomatoes, pretty or not,â Papa says, crossing his arms. âWhole families living on half a pound of salt a day.â
A ludicrous story. Anyone on that diet would meet their bloated death far too quickly to be much use as a miner. But thatâs the end of it, and we cook the soup anyway, Jey singing tunelessly and Papa trying with all his might not to offer too much advice. Sometimes itâs hard to tell what expression his tangled beard is hiding, but his eyes usually smile.
Now the three of us sit at the table, trying to consume our creation as quickly as possible
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