The Haunting of Hill House

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Authors: Shirley Jackson
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evil, but patient. Journeys end in lovers meeting, she thought, remembering her song at last, and laughed, standing on the steps of Hill House, journeys end in lovers meeting, and she put her feet down firmly and went up to the veranda and the door. Hill House came around her in a rush; she was enshadowed, and the sound of her feet on the wood of the veranda was an outrage in the utter silence, as though it had been a very long time since feet stamped across the boards of Hill House. She brought her hand up to the heavy iron knocker that had a child’s face, determined to make more noise and yet more, so that Hill House might be very sure she was there, and then the door opened without warning and she was looking at a woman who, if like ever merited like, could only be the wife of the man at the gate.
    â€œMrs. Dudley?” she said, catching her breath. “I’m Eleanor Vance. I’m expected.”
    Silently the woman stood aside. Her apron was clean, her hair was neat, and yet she gave an indefinable air of dirtiness, quite in keeping with her husband, and the suspicious sullenness of her face was a match for the malicious petulance of his. No, Eleanor told herself; it’s partly because everything seems so dark around here, and partly because I expected that man’s wife to be ugly. If I hadn’t seen Hill House, would I be so unfair to these people? They only take care of it, after all.
    The hall in which they stood was overfull of dark wood and weighty carving, dim under the heaviness of the staircase, which lay back from the farther end. Above there seemed to be another hallway, going the width of the house; she could see a wide landing and then, across the staircase well, doors closed along the upper hall. On either side of her now were great double doors, carved with fruit and grain and living things; all the doors she could see in this house were closed.
    When she tried to speak, her voice was drowned in the dim stillness, and she had to try again to make a sound. “Can you take me to my room?” she asked at last, gesturing toward her suitcase on the floor and watching the wavering reflection of her hand going down and down into the deep shadows of the polished floor, “I gather I’m the first one here. You—you did say you were Mrs. Dudley?” I think I’m going to cry, she thought, like a child sobbing and wailing, I don’t like it here . . . .
    Mrs. Dudley turned and started up the stairs, and Eleanor took up her suitcase and followed, hurrying after anything else alive in this house. No, she thought, I don’t like it here. Mrs. Dudley came to the top of the stairs and turned right, and Eleanor saw that with some rare perception the builders of the house had given up any attempt at style—probably after realizing what the house was going to be, whether they chose it or not—and had, on this second floor, set in a long, straight hall to accommodate the doors to the bedrooms; she had a quick impression of the builders finishing off the second and third stories of the house with a kind of indecent haste, eager to finish their work without embellishment and get out of there, following the simplest possible pattern for the rooms. At the left end of the hall was a second staircase, probably going from servants’ rooms on the third floor down past the second to the service rooms below; at the right end of the hall another room had been set in, perhaps, since it was on the end, to get the maximum amount of sun and light. Except for a continuation of the dark woodwork, and what looked like a series of poorly executed engravings arranged with unlovely exactness along the hall in either direction, nothing broke the straightness of the hall except the series of doors, all closed.
    Mrs. Dudley crossed the hall and opened a door, perhaps at random. “This is the blue room,” she said.
    From the turn in the staircase Eleanor assumed that the room

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