Majolica in her bossiest voice. “I don’t see how you can fix it now. You can’t rub out oil paint, you know.”
The painter held up his hand. “Please just give me two hours,” he said. “That’s all it will take.”
Still grumbling, the aunts agreed that he could take the painting into the kitchen and do whatever he had to do with it. None of them thought that he would be able to do much, though, and they continued to complain among themselves well after he had left the room. I felt sorry for the painter. I had often enough made mistakes with pictures to know just how upsetting it is to work forhours on something and then realize that your efforts were to no avail.
Barely two hours later, the painter returned. He had covered the painting in a cloth again, but this time he didn’t dare say that everybody should wait until the paint was dry before they saw it. He beckoned to me and told me that I should unveil it again. So once again I stood beside the painting and gave the cloth a tug.
As the cloth fell away there was a gasp from all the aunts. Then, after a dreadful moment of suspense, Aunt Majolica gave a cheer.
“Brilliant!” she said. “What a brilliant idea!”
“I agree,” called out Aunt Thessalonika. “Really, that was the only thing to do.”
I looked at the painting and caught my breath. The bodies of my father and the aunts had all disappeared—painted over with blue waves of the sea. Only their heads showed now, bobbing above the waves. And of coursethis meant that nobody could tell that the heads were on the wrong bodies, as everything below was covered with thick blue paint. And the barn, which had been the background, was now a ship.
Everybody was pleased. The cakes, which had not been touched since the terrible mistake had been discovered, were now passed around, as were the sandwiches and the glasses of homemade lemonade. The painter, relieved at having solved the problem so neatly, beamed with pleasure, and his mustache was soon covered with cream and icing. I was happy to see all my aunts so happy and was also proud that what my poor grandparents had wanted so long ago was now done.
That evening, after the painter had gone home, we continued with the party. Aunt Harmonica, who was a very good cook, prepared a special meal, and we sat at the table with paper hats on, just as if it were Christmas.
“It’s been so very, very long,” said Aunt Veronica. “We must never allow ourselves to drift apart again.”
“We will visit you every week,” said Aunt Japonica.
“Without fail,” chimed in Aunt Thessalonika.
“Oh, the fun we’ll have!” added Aunt Majolica.
I said very little. They were so busy talking about the old days and what they had done as children that nobody had much time to listen to me. But that didn’t matter. What was important to me was that I had found my aunts and had made my grandparents’ wish come true.
And what amazing aunts they were! I could see that we were going to have extraordinary adventures together, and in fact that is just what happened. Perhaps I will be able to tell you about some of those adventures one day. And I will also tell you about the trick my father played on Aunt Majolica. I don’t have time to do that now. But I
can
tell you that it was very funny—very funny indeed…
PUBLISHED BY ALFRED A. KNOPF CANADA
Text copyright © 1991 Alexander McCall Smith
All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Published in 2006 by Alfred A. Knopf Canada, a division of Random House of Canada Limited, and simultaneously in the United States of America and in Great Britain by Bloomsbury. Originally published in 1991 in Great Britain by Blackie and
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