pre-preg tits small, exactly.â
âMe, Iâve had âem big and breastfeeding and Iâve had âem slight and chaste,â Rose proclaims. âI refuse to use the word
small
until I can take it back like the night. I once heard a man describe a womanâs chest as âsmallâ and âlacking.â Excuse me? Lactating, maybe, but never lacking!â
âHa!â Con laughs loudly.
Like a circus ringleader, Rose announces, âIn the corner of less big, I give you Charlotte Rampling as Lucia Atherton in
The Night Porter
, her suspenders curving ever so slightly over her naked breasts.â
Con and Wanda applaud.
âAnd the wonderful French actress Arletty, who, as Garance in
Les Enfant du Paradis
, sheds her beautiful gown and accidentally, oh-so-fleetingly exposes one perfect teacup breast.â
Another round of applause.
âFinally, I give you, among many examples, Renée Zellweger as Roxy Hart in
Chicago
.â
âI love that movie!â Con exclaims.
âI had a line in it,â Rose reveals.
âI didnât know that!â Wanda shouts.
âI was in an ending they shot but never used,â Rose explains. âThey dressed me in an authentic flapper dress, heavy with faux pearls, and they forbade me to wear a bra. The look of the twenties was flat and the weight of the pearls did the job on my un-brassiered chest.â
âNo flapper flatness for Queen Latifah,â Wanda says.
âRight!â Rose agrees. âAnd from Latifahâs gloriously overflowing cups to Zellwegerâs slight but splendid mounds, that flick celebrates a gamut of sizes.â
âVive la différence!â
Con says, downing the last of her creamy latte.
âAlso in the corner of less big,â Rose continues, âI give you Kate Hudson and her mom, Goldie Hawn. Goldie before the implants, that is.â
âI heard someone describe Hawnâs pre-implant breasts as ânonexistentâ once,â intones the fulsome Constance.
âLet me guess. It was a man,â Rose says.
âBingo! Say, how about Twiggy in the corner?â Con replies. âTwiggy was my momâs idol in the sixties. My mom told me that scores of flower children and mod chicks, herself included, grew into splendiferous, slenderiferous glory with Twiggy as their role model.â
âIt was a decade of bra burning following a decade of bullet bras,â Rose adds. âWho wouldnât want to burn those!â
âNow my mom and I shop together for brasâgel, underwire, push-up, double click. Anything but bullet,â Con admits.
âNursing bras?â Wanda asks.
âNot so much,â she answers. âThose can get a little complicated for my taste. Right now I like a good push-up with a front clasp for easy access.â
Leaning in, Wanda confides, âI have heard that in some cultures toe cleavage is so desirable that menâs eyes might never rest on a girlâs face, let alone her breasts.â
âSo let alone her breasts,â Con jests. âAs in, let alone her breasts . . . and suck her toes!â
They all look down at their feet. âRose, your shoes!â Wanda exclaims.
Rose clicks her cyan-sequined heels together. âYou like them? They were part of that estate sale.â
âVery nice, and they actually give you toe cleavage!â
Con picks up the binoculars and zeroes in on the ceremony, which is about to get underway in the park. Wanda believes she hears a wistful sigh emanate from Conâs cardinal-red lips, while Roseâs gaze climbs up into the branches of the magnificent tree above the conjoining couple.
âThey should seal it with a kiss up in that tree,â she says mysteriously.
ROSE
The stars are soft as flowers, and as near; The hills are webs of shadow, slowly spun; No separate leaf or single blade is hereâAll blend to one.
âDorothy Parker
In an infamous
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